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Arrows of desire: the films of Michael Powell and Emeric Pressburger
0 references·11 citing·23 second hop
Arrows of desire: the films of Michael Powell and Emeric Pressburger (1985)Arrows of desire: the films of Michael Po…‘Don't let me go! Hold me down!’: inspiration, voice and image in Kate Bush's ‘Hounds of Love’ (2015)‘Don't let me go! Hold me dow…British Trash Cinema (2013)British Trash CinemaReading the Ruins: Modernism, Bombsites and British Culture (2011)Reading the Ruins: Modernism,…Creating Authorship? Lindsay Anderson and David Sherwin's collaboration on If. (1968) (2010)Creating Authorship? Lindsay …Colouring the nation: spectacle, reality and British natural colour in the silent and early sound era (2009)Colouring the nation: spectac…Visual Pleasure in 1959 (1999)Visual Pleasure in 1959Scandalous! Kenneth Anger and the Prohibitions of Hollywood History (1999)Scandalous! Kenneth Anger and…Rear Window’s Glasshole (1999)Rear Window’s GlassholeLesbians Who Bite (1999)Lesbians Who BiteFORBIDDEN LOVE: (1999)FORBIDDEN LOVE:“THAT AIN’T ALL SHE AIN’T”: (1999)“THAT AIN’T ALL SHE AIN’T”:The Concept of National Cinema (1989)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Sex, Class and Realism: British Cinema 1956-1963 (2019)Western music and its others : difference, representation, and appropriation in music (2000)Authenticity as authentication (2002)The rest is noise: listening to the twentieth century (2008)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Capital: A Critique of Political Economy (2020)Selections from the prison notebooks (2020)A Greek-English lexicon (1968)Age of extremes :the short twentieth century 1914-1991 (1994)Nation and Narration (2013)Fashion in Ruins: Photography, Luxury and Dereliction in 1940s London (2016)The 1930s, the Second World War, and Late Modernism (2017)Interwar Modernism and the Liberal World Order: Offices, Institutions, and Aesthetics after 1919 (2019)Ghouls, Gimmicks, and Gold (2004)Cult Cinema (2011)Heritage Film Audiences (2011)Cult cinema and the ‘mainstreaming’ discourse of technological change: revisiting subcultural capital in liquid modernity (2014)Trash Horror and the Cult of the Bad Film (2014)Envisioning the (W)hole World “Behind Things”: Denying Otherness in American Beauty (2004)Abjection and the politics of feminist and queer subjectivities in contemporary art (2008)
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Cited by

  • 2011Reading the Ruins: Modernism, Bombsites and British Culture48 cited
  • 1999FORBIDDEN LOVE:33 cited
  • 2013British Trash Cinema22 cited
  • 1999Lesbians Who Bite21 cited
  • 1999Rear Window’s Glasshole13 cited
  • 1999“THAT AIN’T ALL SHE AIN’T”:11 cited
  • 1999Scandalous! Kenneth Anger and the Prohibitions of Hollywood History11 cited
  • 1999Visual Pleasure in 195911 cited
  • 2015‘Don't let me go! Hold me down!’: inspiration, voice and image in Kate Bush's ‘Hounds of Love’9 cited
  • 2010Creating Authorship? Lindsay Anderson and David Sherwin's collaboration on If. (1968)7 cited
  • 2009Colouring the nation: spectacle, reality and British natural colour in the silent and early sound era6 cited

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