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This chapter explores the performance contexts of Hellenistic poetry, the viewing contexts of Hellenistic art, and what bearing these have on the shaping of a specifically Hellenistic aesthetic. It shows how recipients of both poetry and art are brought into close sensual and emotional association with them, concluding that the aesthetic at work behind these strategies is dominantly pleasure.
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Stored only when both papers are in the corpus — 25 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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