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Rembrandt’s self-portraits: problems of authenticity and function
16 references·4 citing·33 second hop
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References

  • 1990Sources of the self: the making of the modern identity7,135 cited
  • 2017Art and Illusion853 cited
  • 1973Probability and Evidence.414 cited
  • 1960Art and Illusion: A Study in the Psychology of Pictorial Representation310 cited
  • 1953The Go-Between276 cited
  • 1967Original treatises on the arts of painting115 cited
  • 1985Rembrandt: His Life, His Paintings64 cited
  • 1989A Corpus of Rembrandt Paintings44 cited
  • 1961Das Modusproblem in den bildenden Kunsten: Zur Vorgeschichte und zum Nachleben des "Modusbriefes" von Nicolas Poussin28 cited
  • 1953Rembrandt and His Critics 1630–173028 cited
  • 1977Realism and Comic Mode: The Peasant21 cited
  • 1990Rembrandt's Self-Portraits: A Study in Seventeenth-Century Indentity18 cited
  • 2014Dutch Paintings of the Seventeenth Century18 cited
  • 1999Rembrandt by Himself17 cited
  • 1982Leids kunsthistorisch jaarboek17 cited
  • 2001Rembrandt under the Skin. The Mauritshuis Portrait of Rembrandt with Gorget in retrospect16 cited

Cited by

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  • 2018Rembrandt's An Old Man in Military Costume: Combining hyperspectral and MA-XRF imaging to understand how two paintings were painted on a single panel16 cited
  • 2011Towards a reconstruction of Rembrandt’s art theory6 cited
  • 2022Experimentation and Innovation in Vermeer’s Girl with the Red Hat: New Findings from the National Gallery of Art5 cited
  • 2016The Rise and Fall of a Self-Portrait: Valentiner, Liedtke, and the Metropolitan Museum of Art’s Portrait of Frans Hals1 cited