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The Days Grow Short: The Life and Music of Kurt Weill
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The Days Grow Short: The Life and Music of Kurt Weill (1980)The Days Grow Short: The Life and Music o…The Coming of the Musical Play: Rodgers and Hammerstein (2017)The Coming of the Musical Pla…The Cambridge Companion to the Musical (2017)The Cambridge Companion to th…New Horizons: The Musical at the Dawn of the Twenty-First Century (2017)New Horizons: The Musical at …American Musical Theatre before the Twentieth Century (2017)American Musical Theatre befo…‘We Said We Wouldn’t Look Back’: British Musical Theatre, 1935–1969 (2017)‘We Said We Wouldn’t Look Bac…Scandal on stage: European theater as moral trial (2010)Scandal on stage: European th…Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas (2008)Tonality as Drama : Closure a…The Politics of Pageantry, 1936-1946 (1996)The Politics of Pageantry, 19…Accounting/art and the emancipatory project: some reflections (1996)Accounting/art and the emanci…Eichmann in Jerusalem: A Report on the Banality of Evil (1964)Against Interpretation and Other Essays (1966)Toward an Aesthetic of Reception. (1982)Decoding Advertisements: Ideology and Meaning in Advertising (1978)Introduction to Critical Theory (1980)Photography and voice in critical qualitative management research (2005)The Work of Art in the Age of Mechanical Reproduction (2007)Photo‐elicitation: an ethno‐historical accounting and management research prospect (2009)Integrated extinction accounting and accountability: building an ark (2018)The Abandonment of the Jews: America and the Holocaust, 1941-1945 (1985)American Historical Pageantry: The Uses of Tradition in the Early Twentieth Century. (1992)The Texture of Memory: Holocaust Memorials and Meaning (1996)Civic culture and citizenship : the nature of urban governance in interwar Manchester and Chicago (2013)Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)Drei Nebensonnen: Forte’s Linear-Motivic Analysis, Korngold’s Die Tote Stadt, and Schubert’s Winterreise as Visions of Closure (2009)Pastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel’sRodelinda (2013)Uplift, Gender, and Scott Joplin's Treemonisha (2015)Heavenly Bodies: Film Stars and Society (1987)Highbrow/Lowbrow (1988)Love and theft: blackface minstrelsy and the American working class (1994)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)МЮЗИКЛ ЯК ІНТОНАЦІЙНА ПРАКТИКА (2022)Domestic Melodrama (2018)Gothic Melodrama (2018)The Cambridge Companion to English Melodrama (2018)
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  • 1996Accounting/art and the emancipatory project: some reflections94 cited
  • 2017American Musical Theatre before the Twentieth Century25 cited
  • 2008Tonality as Drama : Closure and Interruption in Four Twentieth-Century American Operas13 cited
  • 1996The Politics of Pageantry, 1936-194613 cited
  • 2017The Cambridge Companion to the Musical8 cited
  • 2010Scandal on stage: European theater as moral trial6 cited
  • 2017The Coming of the Musical Play: Rodgers and Hammerstein3 cited
  • 2017New Horizons: The Musical at the Dawn of the Twenty-First Century3 cited
  • 2017‘We Said We Wouldn’t Look Back’: British Musical Theatre, 1935–19692 cited

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