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Profane illumination: Walter Benjamin and the Paris of surrealist revolution
1 references·16 citing·50 second hop
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References

  • 1990The sublime object of ideology5,690 cited

Cited by

  • 2017The Cambridge History of Modernism161 cited
  • 2004Coming Attractions: Reading American Movie Trailers137 cited
  • 2006The bone in the throat: some uncertain thoughts on baroque method111 cited
  • 2006The Childhood of Human Rights: The Kodak on the Congo76 cited
  • 2000‘Old Paris Is No More’: Geographies of Spectacle and Anti‐Spectacle46 cited
  • 2006The Nostalgias of Situationist Subversion37 cited
  • 2000Benjamin's Arcades Project and the Postcolonial City37 cited
  • 2013The imagination of touch: surrealist tactility in the films of Jan Švankmajer31 cited
  • 1997Cyberbabes: (Self-) representation of women and the virtual male gaze27 cited
  • 2007The Aural Shock of Modernity: Weimar's Experience of Jazz24 cited
  • 2017Epilogue: Modernism after Postmodernism22 cited
  • 2004Soziologie der Stadt21 cited
  • 2017Introduction: A History of “Modernism”20 cited
  • 2017The New Spaces of Modernist Painting19 cited
  • 2006Entertaining doubts: on frivolity as resistance

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19 cited
  • 1995Lefebvre, Lacan and the production of space18 cited