Docufictions: essays on the intersection of documentary and fictional filmmaking

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Cinema History and Criticism Cinema and Media Studies Literature, Film, and Journalism Analysis

Abstract

These 18 essays examine the relationships between narrative fiction films and documentary filmmaking, focusing on how each influenced the other and how the two were merged in diverse films and shows. Topics include the docudrama in early cinema, the industrial film as faux documentary, the fear evoked in 1950s science fiction films, the selling of in mockumentaries, and reality TV and documentary forms.

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2019BILDER EINER BESSEREN WELT Die Utopie im nichtfiktionalen Film 2009Trafficking in Tobacco Farm Culture: Tobacco Companies' Use of Video Imagery to Undermine Health Policy 2021Critical Interpretations of Global-Local Co-Productions in Subscription Video-on-Demand Platforms: A Case Study of Netflix’s YG Future Strategy Office 2014Reading docufiction: Jia Zhangke's24 City 2018Metafilm: Materialist Rhetoric and Reflexive Cinema 2016Life is Stationary: Mockumentary and Embarrassment in The Office 2016The filmmaker’s engagement with the subject in contemporary documentary:Foreign Partsas a case study 2011Whitehead's London: Pop and the Ascendant Celebrity

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