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Cited by

• 2002The merits of particle induced X-ray emission in revealing painting techniques43 cited
• 2017Pigment-binder interactions in calcium-based tempera paints38 cited
• 2019Weathering behavior of cinnabar-based tempera paints upon natural and accelerated aging37 cited
• 2003Paintings – high-energy protons detect pigments and paint-layers30 cited
• 1992Identification of proteinaceous binding media of easel paintings by gas chromatography of the amino acid derivatives after catalytic hydrolysis by a protonated cation exchanger30 cited
• 1995Ultra-Microanalysis of Inorganic Pigments on Painted Objects by Total Reflection X-Ray Fluorescence Analysis30 cited
• 2017Buddhist Wall Paintings at Nako Monastery, North India: Changing of the Technology Throughout Centuries17 cited
• 2016The technical investigation of an eighteenth-century Chinese imperial carved lacquer screen and its role in developing an appropriate conservation treatment16 cited
• 2000Baroque Stucco Marble Decorations. II. Composition and Degradation of the Organic Materials in Historical Samples and Implications for their Conservation15 cited
• 1995Ultra-microanalysis of inorganic pigments on painted objects by total reflection X-ray fluorescence analysis15 cited
• 2013Fluorescence labeling of gelatin and methylcellulose: monitoring their penetration behavior into paper13 cited
• 1995“De re metallica” (G. Agricola) — IBA on air12 cited