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Oh boy!: masculinities and popular music
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  • 2014The Black Pacific: Music and Racialization in Papua New Guinea and Australia50 cited
  • 2020Music and misogyny: a content analysis of misogynistic, antifeminist forums26 cited
  • 2011Is Emo Metal? Gendered Boundaries and New Horizons in the Metal Community22 cited
  • 2014Cheer up emo kid: rethinking the ‘crisis of masculinity’ in emo22 cited
  • 2013Emo Angst, Masochism, and Masculinity in Crisis21 cited
  • 2010Land, song, constitution: exploring expressions of ancestral agency, intercultural diplomacy and family legacy in the music of Yothu Yindi with Mandawuy Yunupiŋu19 cited
  • 2014Desiring T, Desiring Self: “T-Style” Pop Singers and Lesbian Culture in China16 cited
  • 2013Claiming Queer Territory in the Study of Subcultures and Popular Music15 cited
  • 2018Private words, public emotions: performing confession in indie music14 cited
  • 2011Men, Boys and Singing13 cited
  • 2018Gendering the Boy Voice12 cited
  • 2012Transgender Tribute Bands and the Subversion of Male Rites of Passage through the Performance of Heavy Metal Music11 cited
  • 2014Resistant masculinities in alternative R&B? Understanding Frank Ocean and The Weeknd’s representations of gender9 cited
  • 2014‘Ga, ga, ooh-la-la’: the childlike use of language in pop-rock music

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9 cited
  • 2016Fashioning a Post Boy Band Masculinity: On the Seductive Dreamscape of Zayn’sPillowtalk7 cited
  • 2016The Gendered Experience of Music6 cited