In Ecology without Nature, Timothy Morton argues that the chief stumbling block to environmental thinking is the image of that most writers on the topic promote: they propose a new worldview, but their very zeal to preserve the natural world leads them away from the nature they revere. The problem is a symptom of a far deeper situation - of accepting the idea of ecology without That is, to have a properly ecological view, we must relinquish, once and for all, the idea of nature. Developing a fresh vocabulary for reading environmentality in both content and form, Morton shows that representations of inevitably become metaphysical. Ranging widely in 18th to 20th Century literature, philosophy, culture, and the arts, Morton explores the value of art in imagining environmental conditions for the future. In short, the idea of has served much the same function in the modern period as the aesthetic has - that of healing what society has damaged; but as a result, unrealistic expectations have developed. Morton investigates our ecological assumptions in a way that is provocative and deeply engaging.
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