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The charango as transcultural icon of andean music
7 references·0 citing·25 second hop
The charango as transcultural icon of andean music (2004)The charango as transcultural icon of and…New Currents in "Musica Folklorica" in La Paz, Bolivia (1984)New Currents in "Musica Folkl…The Charango and the "Sirena": Music, Magic, and the Power of Love (1983)The Charango and the "Sirena"…The Guitar from the Renaissance to the Present Day (1975)The Guitar from the Renaissan…The Use of Music in the Study of a Problem of Acculturation* (1955)The Use of Music in the Study…Comment by H. G. BARNETT (1954)Comment by H. G. BARNETTMEMORANDUM FOR THE STUDY OF ACCULTURATION (1936)MEMORANDUM FOR THE STUDY OF A…THE PSYCHOLOGY OF ACCULTURATION (1932)THE PSYCHOLOGY OF ACCULTURATI…Acculturation in the Americas (1953)The Processes and Results of Musical Culture Contact: A Discussion of Terminology and Concepts (1981)Commerce, Politics, and Musical Hybridity: Vocalizing Urban Black South African Identity during the 1950s (2003)Music and Politics in Africa (2004)A theory of play and fantasy. (1955)Frame Analysis: An Essay on the Organization of Experience. (1975)Verbal Art as Performance1 (1975)The Urban-Mestizo Charango Tradition in Southern Peru: A Statement of Shifting Identity (1984)The Andean anacrusis? Rhythmic structure and perception in Easter songs of Northern Potosí, Bolivia (2000)Misattribution of musical arousal increases sexual attraction towards opposite-sex faces in females (2017)COMMUNICATION PATTERNS OF FOREIGN IMMIGRANTS IN THE PROCESS OF ACCULTURATION1 (1977)Critical History of the Acculturation Psychology of Assimilation, Separation, Integration, and Marginalization (2003)Constructs, measurements and models of acculturation and acculturative stress (2009)Acculturation strategies, psychological adjustment, and sociocultural competence during cross-cultural transitions (1994)Acculturation and Adaptation Revisited (1999)PISA 2012 Assessment and Analytical Framework (2013)Acculturation Rating Scale for Mexican Americans-II: A Revision of the Original ARSMA Scale (1995)Is acculturation unidimensional or bidimensional? A head-to-head comparison in the prediction of personality, self-identity, and adjustment. (2000)Bicultural Identity Integration (BII): Components and Psychosocial Antecedents (2005)HOMAGE IN THE SOLO GUITAR MUSIC OF ROLAND DYENS (2006)Guitars and Lutes (2010)Towards Overcoming the Guitar's Color Research Gap (2014)"There is a Culture Here": Spectacle and the Inculcation of Folklore in Highland Bolivia (1998)Permitted Indians and Popular Music in Contemporary Peru: The Poetics and Politics of Indigenous Performativity (2011)The AndeanConjunto, BolivianSikureadaand the Folkloric Musical Representation Continuum (2012)
this work references cited by second hop

References

  • 1936MEMORANDUM FOR THE STUDY OF ACCULTURATION2,674 cited
  • 1932THE PSYCHOLOGY OF ACCULTURATION702 cited
  • 1954Comment by H. G. BARNETT79 cited
  • 1983The Charango and the "Sirena": Music, Magic, and the Power of Love47 cited
  • 1975The Guitar from the Renaissance to the Present Day37 cited
  • 1955The Use of Music in the Study of a Problem of Acculturation*37 cited
  • 1984New Currents in "Musica Folklorica" in La Paz, Bolivia24 cited

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