SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Festivals and the Cultural Public Sphere
0 references·16 citing·49 second hop
Festivals and the Cultural Public Sphere (2011)Festivals and the Cultural Public SphereUnderstanding the influence of place on festival making and artistic production in the local urban festival context (2022)Understanding the influence o…Ritual dynamics of a Northern Irish festivalscape (2022)Ritual dynamics of a Northern…Cultura literaria y políticas de mercado (2022)Cultura literaria y políticas…Moroccan City Festivals, Cultural Diplomacy and Urban Political Agency (2020)Moroccan City Festivals, Cult…From top-down urban planning to culturally sensitive planning? Urban renewal and artistic activism in a neo-bohemian district in Barcelona (2020)From top-down urban planning …European models of cultural policy: towards European convergence in public spending and cultural participation? (2019)European models of cultural p…Subversive identity and cultural production by the Russian-Israeli Generation 1.5 (2018)Subversive identity and cultu…The politics of contemporary art biennials: spectacles of critique, theory and art (2017)The politics of contemporary …EDM and Ecstasy: the lived experiences of electronic dance music festival attendees (2017)EDM and Ecstasy: the lived ex…Weddings in the Town Square: Young Russian Israelis Protest the Religious Control of Marriage in Tel–Aviv (2016)Weddings in the Town Square: …The metamorphosis of modes of consecration in the literary field: Academies, literary prizes, festivals (2016)The metamorphosis of modes of…Symbolic Production in the Art Biennial: Making Worlds (2016)Symbolic Production in the Ar…Celebrating Memory and Belonging: Young Russian Israelis Claim Their Unique Place in Tel-Aviv’s Urban Space (2016)Celebrating Memory and Belong…The social rhythm of the rock music festival (2015)The social rhythm of the rock…‘From mosh pit to posh pit’: Festival imagery in the context of the boutique festival (2015)‘From mosh pit to posh pit’: …The ‘Liverpool model(s)’: cultural planning, Liverpool and Capital of Culture 2008 (2011)The ‘Liverpool model(s)’: cul…The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun (1982)Co-creation experiences: The next practice in value creation (2004)Introduction to Weekend Societies: EDM Festivals and Event-Cultures (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)Unraveling Mechanisms of Value Cocreation in Festivals (2018)Does co-production build on co-creation or does co-creation result in co-producing? (2020)Distinction: A Social Critique of the Judgement of Taste. (1985)The rise of the creative class: and how it's transforming work, leisure, community and everyday life (2002)The cultural paradiplomacy of Barcelona since the 1980s: understanding transformations in local cultural paradiplomacy (2014)Higher Education and the Creative Economy (2016)Event and Sustainable Culture-Led Regeneration: Lessons from the 2008 European Capital of Culture, Liverpool (2019)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The System of Professions: An Essay on the Division of Expert Labor. (1990)Global circulation of literature and Nobel Prize consecration: A comparative study of Yaşar Kemal and Orhan Pamuk (2023)Between Memory and History: Les Lieux de Mémoire (1989)How Societies Remember (1989)On Collective Memory (1992)The Tourist Gaze: Leisure and Travel in Contemporary Societies (1990)Colonialism and Culture (1992)The Field of Cultural Production: Essays on Art and Literature (1996)Ranking Art: Paradigmatic Worldviews in the Quantification and Evaluation of Contemporary Art (2020)Situating the “Cultural Reach” of Cities in a Multiscalar Field (2021)Emerging in the East: the Shanghai Biennale’s pathways to legitimation, 1996 to 2018 (2022)Toward a Psychology of Being (1962)Motivation and Personality (1997)Using thematic analysis in psychology (2006)Experience design and the dimensions of transformative festival experiences (2020)The antecedents of visitors' flow experience and its influence on memory and behavioral intentions in the music festival context (2021)Unveiling the symphony of experience: Exploring flow, inspiration, and revisit intentions among music festival attendees within the SOR model (2024)The Presentation of Self in Everyday Life. (1956)Situated Learning (1991)Situated Learning: Legitimate Peripheral Participation. (1994)Musikkfestivalens kollektive effervesens (2017)Music Festival Capitalism (2021)Contagious behaviour or not? Tourists’ skills and practices in a Norwegian church (2023)Challenging Codes (1996)Critical Citizens (1999)Ethnicity and race : making identities in a changing world (2007)The Russian invasion of Ukraine and the strengthening of Ukrainian identity among former Soviet immigrants from Ukraine: Israel as a case study (2023)Social Theory for a Changing Society. (1993)The Politics of Europeanization (2003)The Politics of Europeanization (2020)Exploring implicit and explicit cultural policy dimensions through major-event and neoliberal rhetoric (2021)Cultural policy in the Nordic welfare states: aims and functions of public funding for culture (2022)Pandemic cultural policy. A comparative perspective on Covid-19 measures and their effect on cultural policies in Europe (2022)New State Spaces: Urban Governance and the Rescaling of Statehood (2004)Triumph of the city (2012)If mayors ruled the world: dysfunctional nations, rising cities (2014)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2016The metamorphosis of modes of consecration in the literary field: Academies, literary prizes, festivals137 cited
  • 2011The ‘Liverpool model(s)’: cultural planning, Liverpool and Capital of Culture 200863 cited
  • 2019European models of cultural policy: towards European convergence in public spending and cultural participation?59 cited
  • 2017EDM and Ecstasy: the lived experiences of electronic dance music festival attendees36 cited
  • 2015The social rhythm of the rock music festival29 cited
  • 2015‘From mosh pit to posh pit’: Festival imagery in the context of the boutique festival28 cited
  • 2016Symbolic Production in the Art Biennial: Making Worlds25 cited
  • 2018Subversive identity and cultural production by the Russian-Israeli Generation 1.525 cited
  • 2016Celebrating Memory and Belonging: Young Russian Israelis Claim Their Unique Place in Tel-Aviv’s Urban Space24 cited
  • 2020Moroccan City Festivals, Cultural Diplomacy and Urban Political Agency21 cited
  • 2022Understanding the influence of place on festival making and artistic production in the local urban festival context21 cited
  • 2017The politics of contemporary art biennials: spectacles of critique, theory and art21 cited
  • 2022Cultura literaria y políticas de mercado18 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2020
From top-down urban planning to culturally sensitive planning? Urban renewal and artistic activism in a neo-bohemian district in Barcelona
16 cited
  • 2016Weddings in the Town Square: Young Russian Israelis Protest the Religious Control of Marriage in Tel–Aviv15 cited
  • 2022Ritual dynamics of a Northern Irish festivalscape14 cited