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Cited by

• 2004Integrating Temporal Biases92 cited
• 2005Writing for immortality: women and the emergence of high literary culture in America63 cited
• 2000"The Case with My Dear Native Land": Nathaniel Hawthorne's Vision of America in The Marble Faun54 cited
• 2004The Art of Discrimination52 cited
• 1984Hawthorne, Sophia, and Hilda as Copyists: Duplication and Transformation in The Marble Faun43 cited
• 2008The Manuscript of Septimius: Revisiting the Scene of Hawthorne’s “Failure”43 cited
• 2014Fantasies of Conversion: The Sensational Jewess in Poe and Hawthorne's America42 cited
• 1999Pierre's Blackened Hand30 cited
• 1991The Erotics of Purity: The Marble Faun and the Victorian Construction of Sexuality23 cited
• 2011Call for Papers—on Barbara Johnson20 cited
• 2019“The Sense of Nearness”: Harriet Hosmer’s Clasped Hands and the Materials and Bodies of Nineteenth-Century Life Casting14 cited
• 2004The Yellow Mask, the Black Robe, and the Woman in White: Wilkie Collins, Anti-Catholic Discourse, and the Sensation Novel12 cited
• 20194. John Ruskin and Henry James in the Enchanting Darkness of the Scuola Grande di San Rocco4 cited
• 20195. Light at the Scuola Grande di San Rocco