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Spectroscopic characterisation of crusts interstratified with prehistoric paintings preserved in open‐air rock art shelters
6 references·16 citing·51 second hopsampled
Spectroscopic characterisation of crusts interstratified with prehistoric paintings preserved in open‐air rock art shelters (2014)Spectroscopic characterisation of crusts …Microanalysis of clay‐based pigments in painted artworks by the means of Raman spectroscopy (2013)Microanalysis of clay‐based p…The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields (2012)The on‐site/remote Raman anal…Portable Raman study on the conservation state of four CorTen steel‐based sculptures by Eduardo Chillida impacted by urban atmospheres (2012)Portable Raman study on the c…The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results (2010)The first in situ Raman spect…Raman microscopy of prehistoric rock paintings from the Hoz de Vicente, Minglanilla, Cuenca, Spain (2010)Raman microscopy of prehistor…A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain (2008)A comprehensive micro‐Raman s…Development Trend in Non-Destructive Techniques for Cultural Heritage: From Material Characterization to AI-Driven Diagnosis (2025)Development Trend in Non-Dest…Testing recipes: an experimental approach to paint production processes in Levantine rock art (Spain) (2023)Testing recipes: an experimen…Hematite as unprecedented black rock art pigment in Jufri Cave, East Kalimantan, Indonesia: the microscopy, spectroscopy, and synchrotron X-ray-based investigation (2022)Hematite as unprecedented bla…Critical evaluation of in situ analyses for the characterisation of red pigments in rock paintings: A case study from El Castillo, Spain (2022)Critical evaluation of in sit…Characterizing paint technologies and recipes in Levantine and Schematic rock art: El Carche site as a case study (Jalance, Spain) (2022)Characterizing paint technolo…Portable Raman can be the new hammer for architects restoring 20th‐century built heritage elements made of reinforced concrete (2020)Portable Raman can be the new…Long-term in situ non-invasive spectroscopic monitoring of weathering processes in open-air prehistoric rock art sites (2020)Long-term in situ non-invasiv…A critical assessment of the potential and limitations of physicochemical analysis to advance knowledge on Levantine rock art (2020)A critical assessment of the …Hidden paintings, forgotten histories: a micro-stratigraphic approach to study coated rock art (2019)Hidden paintings, forgotten h…Proteomic and metagenomic insights into prehistoric Spanish Levantine Rock Art (2018)Proteomic and metagenomic ins…On-field Raman spectroscopy of Patagonian prehistoric rock art: Pigments, alteration products and substrata (2018)On-field Raman spectroscopy o…The first use of portable Raman instrumentation for the in situ study of prehistoric rock paintings in Patagonian sites (2017)The first use of portable Ram…Characterization of the Inkaterra rock shelter paintings exposed to tropical climate (Machupicchu, Peru) (2017)Characterization of the Inkat…Raman microscopy of hand stencils rock art from the Yabrai Mountain, Inner Mongolia Autonomous Region, China (2016)Raman microscopy of hand sten…Raman microscopy of prehistoric paintings in French megalithic monuments (2015)Raman microscopy of prehistor…Applications of Raman spectroscopy in art and archaeology (2014)Applications of Raman spectro…On-line FT-Raman and dispersive Raman spectra database of artists’ materials (e-VISART database) (2005)Buried iron archaeological artefacts: Corrosion mechanisms related to the presence of Cl-containing phases (2007)Comparative study of mobile Raman instrumentation for art analysis (2007)In situ noninvasive Raman microspectroscopic investigation of polychrome plasterworks in the Alhambra (2012)Multianalytical approach to study the dissolution process of weathering steel: The role of urban pollution (2013)On‐site Raman study of artwork: Procedure and illustrative examples (2017)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Clay and iron oxide pigments in the history of painting (2003)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Pigment identification of an illuminated mediaeval manuscript De Civitate Dei by means of a portable Raman equipment (2014)Multi-analytical non-destructive investigation of pictorial apparatuses of “Villa della Piscina” in Rome (2019)Non-invasive identification of red and yellow oxide and sulfide pigments in wall-paintings with portable ER-FTIR spectroscopy (2023)Raman spectroscopic analysis of pigments and substrata in prehistoric rock art (2000)Analysis of rock art painting and technology of Palaeolithic painters (2003)Earth pigments in painting: characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis (2005)Identification of pigments used in rock art paintings in Gode Roriso-Ethiopia using Micro-Raman spectroscopy (2013)Identification of plant cells in black pigments of prehistoric Spanish Levantine rock art by means of a multi-analytical approach. A new method for social identity materialization using chaîne opératoire (2017)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Non-invasive portable instrumentation to study Palaeolithic rock paintings: the case of La Peña Cave in San Roman de Candamo (Asturias, Spain) (2012)The first in situ micro‐Raman spectroscopic analysis of prehistoric cave art of Rouffignac St‐Cernin, France (2012)Characterizing the pigments and paints of prehistoric artists (2021)Raman identification of glassy silicates used in ceramics, glass and jewellery: a tentative differentiation guide (2006)Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? (2007)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)A multi-technique characterization and provenance study of the pigments used in San rock art, South Africa (2011)The Destructive/Non-Destructive Identification of Enameled Pottery, Glass Artifacts and Associated Pigments—A Brief Overview (2013)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Differentiation of antique ceramics from the Raman spectra of their coloured glazes and paintings (2001)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Characterisation of a portable Raman spectrometer for in situ analysis of art objects (2013)Analytical chemistry in the field of cultural heritage (2015)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Raman spectroscopy for the investigation of carbon‐based black pigments (2015)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Portable and laboratory analytical instruments for the study of materials, techniques and environmental impacts in mediaeval mural paintings (2018)A comparative mobile Raman study for the on field analysis of the Mosaico de los Amores of the Cástulo Archaeological Site (Linares, Spain) (2019)Making visible the invisible. A microarchaeology approach and an Archaeology of Color perspective for rock art paintings from the southern cone of South America (2020)Raman microscopy in archaeological science (2004)Assessment of Easily Accessible Spectroscopic Techniques Coupled with Multivariate Analysis for the Qualitative Characterization and Differentiation of Earth Pigments of Various Provenance (2022)Identification of Proteins in Renaissance Paintings by Proteomics (2006)Scientific Methods and Cultural Heritage: An introduction to the application of materials science to archaeometry and conservation science (2010)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Art‐omics: multi‐omics meet archaeology and art conservation (2019)Hunter-Gatherers Harvested and Heated Microbial Biogenic Iron Oxides to Produce Rock Art Pigment (2019)An improved methodology for the characterization and identification of sepia in works of art by normal Raman and SERS, complemented by FTIR, Py‐GC/MS, and XRF (2014)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)Combining SERS and microspectrofluorimetry with historically accurate reconstructions for the characterization of lac dye paints in medieval manuscript illuminations (2014)Applications of Raman spectroscopy in art and archaeology (2016)Applications of Raman spectroscopy in art and archaeology (2019)Applications of Raman spectroscopy in art and archaeology (2020)
this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 2012The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields168 cited
  • 2010The first in situ Raman spectroscopic study of San rock art in South Africa: procedures and preliminary results117 cited
  • 2008A comprehensive micro‐Raman spectroscopic study of prehistoric rock paintings from the Sierra de las Cuerdas, Cuenca, Spain91 cited
  • 2013Microanalysis of clay‐based pigments in painted artworks by the means of Raman spectroscopy59 cited
  • 2010Raman microscopy of prehistoric rock paintings from the Hoz de Vicente, Minglanilla, Cuenca, Spain59 cited
  • 2012Portable Raman study on the conservation state of four CorTen steel‐based sculptures by Eduardo Chillida impacted by urban atmospheres55 cited

Cited by

  • 2018On-field Raman spectroscopy of Patagonian prehistoric rock art: Pigments, alteration products and substrata52 cited
  • 2017The first use of portable Raman instrumentation for the in situ study of prehistoric rock paintings in Patagonian sites35 cited
  • 2018Proteomic and metagenomic insights into prehistoric Spanish Levantine Rock Art35 cited
  • 2014Applications of Raman spectroscopy in art and archaeology30 cited
  • 2015Raman microscopy of prehistoric paintings in French megalithic monuments29 cited
  • 2019Hidden paintings, forgotten histories: a micro-stratigraphic approach to study coated rock art29 cited
  • 2020

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A critical assessment of the potential and limitations of physicochemical analysis to advance knowledge on Levantine rock art
20 cited
  • 2017Characterization of the Inkaterra rock shelter paintings exposed to tropical climate (Machupicchu, Peru)19 cited
  • 2020Long-term in situ non-invasive spectroscopic monitoring of weathering processes in open-air prehistoric rock art sites19 cited
  • 2022Critical evaluation of in situ analyses for the characterisation of red pigments in rock paintings: A case study from El Castillo, Spain17 cited
  • 2020Portable Raman can be the new hammer for architects restoring 20th‐century built heritage elements made of reinforced concrete16 cited
  • 2023Testing recipes: an experimental approach to paint production processes in Levantine rock art (Spain)14 cited
  • 2016Raman microscopy of hand stencils rock art from the Yabrai Mountain, Inner Mongolia Autonomous Region, China13 cited
  • 2025Development Trend in Non-Destructive Techniques for Cultural Heritage: From Material Characterization to AI-Driven Diagnosis12 cited
  • 2022Characterizing paint technologies and recipes in Levantine and Schematic rock art: El Carche site as a case study (Jalance, Spain)12 cited
  • 2022Hematite as unprecedented black rock art pigment in Jufri Cave, East Kalimantan, Indonesia: the microscopy, spectroscopy, and synchrotron X-ray-based investigation12 cited