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Poetics of Music in the Form of Six Lessons
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  • 1995Deconstructing the Lone Genius Myth: Toward a Contextual View of Creativity246 cited
  • 1973Ends, Means, and Galumphing: Some Leitmotifs of Play1201 cited
  • 1985Chernomor to Kashchei: Harmonic Sorcery; Or, Stravinsky's "Angle"147 cited
  • 2002Mapping Pathways: Fostering creativity in composition111 cited
  • 2006Imaginary Worldplay in Childhood and Maturity and Its Impact on Adult Creativity105 cited
  • 2005Dalcroze, the body, movement and musicality75 cited
  • 2019Enacting Musical Time68 cited
  • 2011Collaborative songwriting – the ontology of negotiated creativity in popular music studio practice62 cited
  • 1999"Rigoroso (♪ = 126)": "The Rite of Spring" and the Forging of a Modernist Performing Style61 cited
  • 2014The Work of Authorship46 cited
  • 1990Stravinsky's "Les Noces" and Russian Village Wedding Ritual43 cited
  • 2014‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–196839 cited
  • 2007The Music of Louis Andriessen37 cited
  • 1995A Myth of the Twentieth Century: The Rite of Spring, the Tradition of the New, and "The Music Itself"37 cited
  • 2009

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The Physics and Metaphysics of Biosemiotics
36 cited
  • 1999Rethinking Form: Stravinsky's Eleventh-Hour Revision of the Third Movement of His Violin Concerto32 cited