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Voicing the Popular: On the Subjects of Popular Music
0 references·16 citing·54 second hop
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  • 2019(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities66 cited
  • 2023Music and Citizenship43 cited
  • 2012“WhoDon't Care If The Money's No Good?”: Authenticity and The Band35 cited
  • 2010Dual Framing: Locating Authenticities in the Music Videos of Himalayan Possession Rituals35 cited
  • 2012Institutional Communalism in North Indian Classical Music33 cited
  • 2019Language, the Singer and the Song26 cited
  • 2018“Far Back in American Time”: Culture, Region, Nation, Appalachia, and the Geography of Voice24 cited
  • 2012Black or White? Michael Jackson and the Idea of Crossover23 cited
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  • 2021The Ballad-Singer in Georgian and Victorian London22 cited
  • 2010Musical Cartographies of the Transnational City: Mapping Havana in Song20 cited
  • 2017Defining Twentieth- and Twenty-First-Century Music14 cited
  • 2007Lazzari felici: Neapolitan song and/as nostalgia

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13 cited
  • 2022The authenticity of music culture of Kampung Naga and Cikondang Indigenous people, West Java, Indonesia11 cited