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Break her will, and bruise no bone sir”’: Colonial and Sexual Mastery in Fletcher’s The Island Princess
16 references·5 citing·30 second hop
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References

  • 1986Colonial Encounters: Europe and the Native Caribbean 1492-17971,339 cited
  • 1993The making of Europe: conquest, colonization and cultural change, 950-1350722 cited
  • 1991The Political Economy of Merchant Empires305 cited
  • 1997:Things of Darkness: Economies of Race and Gender in Early Modern England218 cited
  • 1966Asia in the Making of Europe202 cited
  • 1997Turning Turk in Othello: The Conversion and Damnation of the Moor184 cited
  • 2000Constructing Medieval Sexuality175 cited
  • 1990Court and Country Politics in the Plays of Beaumont and Fletcher160 cited
  • 1995Women, "Race," and Writing in the Early Modern Period.128 cited
  • 2000:Turks, Moors, and Englishmen in the Age of Discovery126 cited
  • 1993An Empire Nowhere: England, America, and Literature from Utopia to The Tempest.124 cited
  • 2003Post-Colonial Shakespeares124 cited
  • 1987Jewish Conversion, the Spanish Pure Blood Laws and Reformation: A Revisionist View of Racial and Religious Antisemitism81 cited
  • 1993New World Encounters72 cited
  • 1840The works of Thomas Middleton71 cited
  • 1939

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The Crescent and the Rose: Islam and England During the Renaissance.
68 cited

Cited by

  • 2008The Erotics of Mercantile Imperialism: Cross-Cultural Requitedness in the Early Modern Period34 cited
  • 2009Catholic Prophylactics and Islam's Sexual Threat: Preventing and Undoing Sexual Defilement in The Renegado32 cited
  • 2009Islam and English Drama: A Critical History23 cited
  • 2018Religious Conversion in Early Modern English Drama6 cited
  • 2010Spice Race: The Island Princess and the Politics of Transnational Appropriation5 cited