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Cited by

• 2008The Paradox of Fiction and the Ethics of Empathy: Reconceiving Dickens's Realism92 cited
• 1986Toward a Theory of the Engaging Narrator: Earnest Interventions in Gaskell, Stowe, and Eliot75 cited
• 2004Forgotten Writers, Neglected Histories: Charles Reade and the Nineteenth-Century Transformation of the British Literary Field66 cited
• 2018PRIMITIVE CRITICISM AND THE NOVEL: G. H. LEWES AND HIPPOLYTE TAINE ON DICKENS40 cited
• 2021Stylistic Virtue and Victorian Fiction37 cited
• 1970George Eliot and the Art of the Epigraph32 cited
• 1991Toward a Poetics of "Descriptized" Narration32 cited
• 2009Pictures in Bleak Houses: Slavery and the Aesthetics of Transatlantic Reform25 cited
• 2005"The Soul of Art": Understanding Victorian Ethical Criticism25 cited
• 2019Plagiarizing the Victorian Novel24 cited
• 2006"Naked Truth is the Best Eloquence": Martineau, Dickens, and the Moral Science of Realism23 cited
• 1982Multiple Narratives & Relative Truths: a Study ofThe Ring and the Book, The Woman in White, andThe Moonstone22 cited
• 2013Women and literary criticism21 cited
• 2013The Cambridge History of Literary Criticism19 cited