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Panel Discussion on Film Sound/Film Music: Jim Buhler, Anahid Kassabian, David Neumeyer, and Robynn Stilwell
7 references·1 citing·23 second hop
Panel Discussion on Film Sound/Film Music: Jim Buhler, Anahid Kassabian, David Neumeyer, and Robynn Stilwell (2003)Panel Discussion on Film Sound/Film Music…Film music : critical approaches (2001)Film music : critical approac…Perverse Spectators: The Practices of Film Reception (2000)Perverse Spectators: The Prac…Music and cinema (2000)Music and cinemaSound theory/sound practice (1993)Sound theory/sound practiceOn the Track: A Guide to Contemporary Film Scoring (1991)On the Track: A Guide to Cont…On Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …Unheard melodies: narrative film music (1988)Unheard melodies: narrative f…Diegetic Withdrawal and Other Worlds: Film Music Strategies before King Kong , 1927–1933 (2013)Diegetic Withdrawal and Other…Regeneration Through Violence: The Mythology of the American Frontier, 1600-1860 (1974)The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)“The Music Has Something to Say”: The Musical Revisions of L'Atalante (1934) (2015)Musical rhetoric in integrated-media composition (2006)The Harpist in the Closet: Film Music as Epistemological Joke (2009)Soundscapes: Toward a Sounded Anthropology (2010)Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Understanding sponsorship effects (2001)Semiotics, Pragmatics, and Metaphor in Film Music Analysis (2006)Interacting: Art, research and the Creative Practitioner (2011)Film‐as‐Concert Music and the Formal Implications of ‘Cinematic Listening’ (2018)Understanding the Score: Film Music Communicating to and Influencing the Audience (2010)Corporate Classicism and the Metaphysical Style (2015)Is There a Field Called Sound Culture Studies? And Does It Matter? (2005)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Sonic geographies (2013)I Have Seen the Future and It Is Not Here Yet …; or, On Being Ambitious for Audience Research (2006)RELOCATING AMERICAN FILM HISTORY (2006)Linguicism in Hollywood movies? Representations of, and audience reactions to multilingualism in mainstream movie dialogues (2012)Audio-vision: sound on screen (1994)Theorizing Musical Meaning (2001)The Non-diegetic Fallacy: Film, Music, and Narrative Space (2010)
this work references cited by second hop

References

  • 1988Unheard melodies: narrative film music1,038 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 1993Sound theory/sound practice570 cited
  • 2000Perverse Spectators: The Practices of Film Reception179 cited
  • 1991On the Track: A Guide to Contemporary Film Scoring99 cited
  • 2001Film music : critical approaches68 cited
  • 2000Music and cinema55 cited

Cited by

  • 2013Diegetic Withdrawal and Other Worlds: Film Music Strategies before King Kong , 1927–19338 cited

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