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A Song of Love and Death: The Meaning of Opera
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Cited by

  • 1992The silencing of Lucia41 cited
  • 1999Death drive: Eros and Thanatos in Wagner'sTristan und Isolde26 cited
  • 1996Famous last breaths: The tubercular heroine in Opera18 cited
  • 2012‘Too much music’: the media of opera16 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2012Opera and modes of theatrical production12 cited
  • 2012Opera and the technologies of theatrical production12 cited
  • 2012Introduction: opera studies today11 cited
  • 2012Genre and poetics8 cited
  • 1995Syphilis, sin and the social order: Richard Wagner'sParsifal7 cited
  • 2015Aesthetic Technologies of Modernity, Subjectivity, and Nature: Opera, Orchestra, Phonograph, Film7 cited
  • 2012Voices and singers6 cited
  • 1999Kierkegaard, a Kiss, and Schumann's "Fantasie"6 cited
  • 2012Opera and gender studies5 cited
  • 2012The dramaturgy of opera5 cited
  • 2012‘An exotic and irrational entertainment’: opera and our others; opera as other

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4 cited