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From The Chinese Written Character as a Medium for Poetry
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  • 1994THE CONCEPT OF DECISION: A DECONSTRUCTIVE ANALYSIS*144 cited
  • 1984The Poetic Turn in Postmodern Anthropology: The Poetry of Paul Friedrich57 cited
  • 2008Listening to Phonocentrism with Deaf Eyes55 cited
  • 2008On Managerial Knowledge52 cited
  • 1985The "Tao" and the "Logos": Notes on Derrida's Critique of Logocentrism39 cited
  • 2019Racializing Area Studies, Defetishizing China38 cited
  • 2011The Films of Stan Brakhage in the American Tradition of Ezra Pound, Gertrude Stein and Charles Olson35 cited
  • 2004Change works: A critical construction33 cited
  • 2014Science and Technology in Modern China, 1880s-1940s31 cited
  • 2015Parallel Prose and Spatiotemporal Freedom: A Case for Creative Syntax in “Wucheng fu”30 cited
  • 2007A Route of Evanescence: Emily Dickinson and Japan29 cited
  • 2010From Pound to Olson: The Avant-Garde Poet as Pedagogue22 cited
  • 2015Sound Over Ideograph: The Basis of Chinese Poetic Art21 cited
  • 2010Verbivocovisuals: James Joyce and the Problem of Babel20 cited
  • 2012The Word as Object: Concrete Poetry, Ideogram, and the Materialization of Language

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14 cited
  • 2009Getting over the Walls of Discourse: “Character Fetishization” in Chinese Studies11 cited