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I. THE ANXIETY OF RECEPTION 1. The sense of an audience 2. Case study (I): Coleridge 3. Case study (2): Wordsworth 4. Case study (3): Anna Barbauld II. CROSSINGS ON THE CREATIVE-CRITICAL DIVIDE 5. Competition and collaboration in periodical culture 6. Feminizing the poetics of reception 7. 'One power with a double aspect': the formation of a system of defences 8. The terror of futurity: repetition, identification, and doubling 9. Reading aloud: an 'ambiguous accompaniment' Bibliography Index
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