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Understanding Popular Music Culture
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Understanding Popular Music Culture (2012)Understanding Popular Music CultureWas punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c . 1976–1984 (2023)Was punk DIY? Is DIY punk? In…‘Are there Marlians in the Buhari government?’ Popular music and personality cult in Nigeria (2021)‘Are there Marlians in the Bu…The Street Ideology: Sexual Contours in Nigerian Hip-Hop Music (2019)The Street Ideology: Sexual C…Soundtrack for love: wedding videography, music and romantic memory (2019)Soundtrack for love: wedding …Music Geographies and Iconic Music Legends: Mapping Céline Dion’s Outstanding Contribution to Music and Global Popular Music Culture (2019)Music Geographies and Iconic …Co-constructing loyalty in an era of digital music fandom (2019)Co-constructing loyalty in an…Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations (2018)Popular Music, Stars and Star…Productive consumption: agency, appropriation and value in the creative consuming of David Bowie (2017)Productive consumption: agenc…Keepin’ It Real: Authenticity, Commercialization, and the Media in Korean Hip Hop (2017)Keepin’ It Real: Authenticity…From Snake Pits to Ballrooms: class, race and early rock’n’roll in Perth (2017)From Snake Pits to Ballrooms:…The multiplicity of iPod cultures in everyday life: uncovering the performative hybridity of the iconic object (2016)The multiplicity of iPod cult…‘Transatlantic connection’: K-pop and K-drama fandom in Spain and Latin America (2015)‘Transatlantic connection’: K…Nuuk underground: musical change and cosmopolitan nationalism in Greenland (2014)Nuuk underground: musical cha…Virtual Materiality: Collectors and Collection in the Brazilian Music Blogosphere (2012)Virtual Materiality: Collecto…The Predicament of Culture (1988)The Gift: The Form and Reason for Exchange in Archaic Societies. (1992)Content Analysis: An Introduction to Its Methodology (2019)Disjuncture and Difference in the Global Cultural Economy (1990)Glocalization: Time-Space and Homogeneity-Heterogeneity (1995)Globalization: Social Theory and Global Culture (2000)On the Use of the Mass Media for Important Things (1973)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Researching Internet-Based Populations: Advantages and Disadvantages of Online Survey Research, Online Questionnaire Authoring Software Packages, and Web Survey Services (2006)Consuming the Contra-Flow of K-pop in Spain (2020)“I’d Have Divorced My Husband If Not for Korean Dramas” – Vietnamese Women’s Consumption of Television Romance and Melancholia (2022)Watching Turkish television dramas in Argentina: entangled proximities and resigned agency in global media flows (2023)The culture industry : selected essays on mass culture (1991)Music in Everyday Life (2000)Knowing Capitalism (2005)Subculture: The Meaning of Style. (1981)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Distinction: A Social Critique of the Judgement of Taste* (2018)Co-creation experiences in the music business: a systematic literature review (2019)Modernity at Large: Cultural Dimensions of Globalization. (1998)Research Design: Qualitative, Quantitative, and Mixed Methods Approaches (2009)‘Jianghu flow’: examining cultural resonance in The Rap of China (2020)From Hanok to Hanbok: Traditional iconography in Korean hip hop music videos (2020)The discursive construction of East Asian identities in an era of globalization and internationalization: the linguistic landscape of East Asian departments at a U.S. university (2020)Psychology of intergroup relations (1986)Handbook of Qualitative Research (1994)Hang with Me—Exploring Fandom, Brandom, and the Experiences and Motivations for Value Co-Creation in a Music Fan Community (2021)Developing Affective Brands: Paratextualization in the Entertainment Industry (2023)Esports fan identity toward sponsor–sponsee relationship: an understanding of the role-based identity (2023)Advances in Consumer Research (2025)Noise: The Political Economy of Music (1986)Consumer city (2001)Visual methodologies : an introduction to researching with visual materials (2012)An introduction to functional grammar . 2nd edn. By M. A. K. Halliday London, Melbourne, & Auckland: Edward Arnold, 1994. Pp. XXXV, 434. (1995)Ideology: A Multidisciplinary Approach (2000)FROM THE GERMAN IDEOLOGY (2013)Performing Rites (1996)To See and Be Seen: Celebrity Practice on Twitter (2011)The Journal of Pan African Studies (2014)
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  • 2019Co-constructing loyalty in an era of digital music fandom36 cited
  • 2017Keepin’ It Real: Authenticity, Commercialization, and the Media in Korean Hip Hop26 cited
  • 2015‘Transatlantic connection’: K-pop and K-drama fandom in Spain and Latin America26 cited
  • 2017Productive consumption: agency, appropriation and value in the creative consuming of David Bowie7 cited
  • 2016The multiplicity of iPod cultures in everyday life: uncovering the performative hybridity of the iconic object7 cited
  • 2019The Street Ideology: Sexual Contours in Nigerian Hip-Hop Music7 cited
  • 2014Nuuk underground: musical change and cosmopolitan nationalism in Greenland5 cited
  • 2019Music Geographies and Iconic Music Legends: Mapping Céline Dion’s Outstanding Contribution to Music and Global Popular Music Culture5 cited
  • 2021‘Are there Marlians in the Buhari government?’ Popular music and personality cult in Nigeria5 cited
  • 2012Virtual Materiality: Collectors and Collection in the Brazilian Music Blogosphere5 cited
  • 2018Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations4 cited
  • 2019Soundtrack for love: wedding videography, music and romantic memory4 cited
  • 2017From Snake Pits to Ballrooms: class, race and early rock’n’roll in Perth4 cited

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  • 2023Was punk DIY? Is DIY punk? Interrogating the DIY/punk nexus, with particular reference to the early UK punk scene, c . 1976–19843 cited