Power: Its Myths and Mores in American Art, 1961-1991

Holliday T. Day · Brian Wallis · Anna C. Chave · George E. Marcus · Catsou Roberts · Christopher Scoates +1 more

6 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Art, Politics, and Modernism Visual Culture and Art Theory Contemporary art, education, critique

Abstract

Focusing on both social power relations and on the ways that these power relations are encoded through visual representations, the authors analyse American artists' visual and critical strategies from 1961 to 1991 in terms of their socio-political context and their effectivity. Includes notes on 28 artists' work. Circa 105 bibl. ref.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Imported from OpenAlex (CC0) — nothing here is generated.