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The New Negro: An Interpretation
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  • 2010Strange Fruit Indeed: Interrogating Contemporary Textbook Representations of Racial Violence toward African Americans255 cited
  • 2014Race, Memory, and Master Narratives: A Critical Essay on U.S. Curriculum History150 cited
  • 2001“Voice” and “voicelessness” in rhetorical studies90 cited
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  • 2016The Trans-American Literature of Empire and Revolution, 1880–193840 cited
  • 2007The Sun Also Rises in Queer Black Harlem: Hemingway and McKay's Modernist Intertext32 cited
  • 1983Veiled Testimony: Negro Spirituals and the Slave Experience31 cited
  • 1997What American Renaissance? The Gendered Genealogy of a Critical Discourse25 cited
  • 2000Deconstruction and Cultural Studies: Arguments for a Deconstructive Cultural Studies24 cited
  • 2015E. E. Just and Creativity in Science. The Importance of Diversity23 cited
  • 2005The Colors of Zion: Black, Jewish, and Irish Nationalisms At the Turn of the Century22 cited
  • 2022African American Archaeology, for Now21 cited
  • 2000AFRICA AND THE IDEA OF THE AESTHETIC: FROM EUROCENTRICISM TO PAN-AFRICANISM18 cited
  • 2004“A Plea For Color”: Nella Larsen's Iconography of the Mulatta

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17 cited
  • 2009Sound Effects: Synaesthesia as Purposeful Distortion in Keorapetse Kgositsile's Poetry17 cited
  • 2011Why Did Negroes Love Al Jolson and The Jazz Singer?: Melodrama, Blackface and Cosmopolitan Theatrical Culture15 cited