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Cited by

• 2017Literary Gifts: Performance and Collaboration in the Arundel/Lumley Family Manuscripts55 cited
• 2009Desire and dramatic form in early modern England14 cited
• 2008Performance, Performativity, and Identity in Margaret Cavendish’s The Convent of Pleasure9 cited
• 2025Early Modern Women’s Writing and the Future of Literary History6 cited
• 2012The Cambridge Companion to Shakespeare and Contemporary Dramatists6 cited
• 2016Playing with Margaret Cavendish and Mary Wroth: Staging Early Modern Women’s Dramatic Romances for Modern Audiences4 cited
• 2018“Tell thou my lord thou saw’st me lose my breath”: Silence, speech, and authorial identity in Cary’sThe Tragedy of Mariam3 cited
• 2011New Model Armies: Re-contextualizing The Camp in Margaret Cavendish's Bell in Campo3 cited
• 2012‘The words of Mercury’2 cited
• 2012George Chapman’s learned drama2 cited
• 2012Thomas Dekker and the emergence of city comedy2 cited