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Ships' graveyards: abandoned watercraft and the archaeological site formation process
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Ships' graveyards: abandoned watercraft and the archaeological site formation process (2009)Ships' graveyards: abandoned watercraft a…Archaeology Hijacked: Addressing the Historical Misappropriations of Maritime and Underwater Archaeology (2017)Archaeology Hijacked: Address…Site Formation Processes of Submerged Shipwrecks (2016)Site Formation Processes of S…Can Artificial Reef Wrecks Reduce Diver Impacts on Shipwrecks? The Management Dimension (2015)Can Artificial Reef Wrecks Re…Historical Archaeology, Contact, and Colonialism in Oceania (2013)Historical Archaeology, Conta…Of His Bones are Coral Made: Submerged Cultural Resources, Site Formation Processes, and Multiple Scales of Interpretation in Coastal Ghana (2012)Of His Bones are Coral Made: …Places of Special Meaning: Westerdahl’s Comet, “Agency,” and the Concept of the “Maritime Cultural Landscape” (2011)Places of Special Meaning: We…Twenty-First-Century Historical Archaeology (2009)Twenty-First-Century Historic…Islam and Liberal Democracy: A Historical Overview (1996)Gender differences in risk taking: A meta-analysis. (1999)Personality and Risk‐Taking: Common Bisocial Factors (2000)A Framework for Managing Diver Impacts on Historic Shipwrecks (2016)A literature review on the management of underwater cultural heritage (2023)Europe and the People without History (1984)Decolonizing Methodologies: Research and Indigenous Peoples (2000)Archaeology, Memory and Oral Tradition: An Introduction (2012)Historical Archaeologies of the American West (2014)Archaeology and Social Memory (2019)8 Decolonizing Methodologies: Research and Indigenous Peoples (2024)Asylums: Essays on the Social Situation of Mental Patients and Other Inmates. (1962)The Social Life of Things (1986)The Location of Culture (2012)Second-hand? Insights into the age and ‘authenticity’ of colonial period rock art on the Sunshine Coast, Queensland, Australia (2017)Categorical Denial: Evaluating Post-1492 Indigenous Erasure in the Paper Trail of American Archaeology (2019)“This Place Belongs to Us”: Historic Contexts as a Mechanism for Multivocality in the National Register (2022)Central Problems in Social Theory: Action, Structure and Contradiction in Social Analysis. (1980)The temporality of the landscape (1993)A History of Archaeological Thought (2006)The elements of archaeological conservation (1990)A New Process-based Model for Wreck Site Formation (1999)Iron Age Shipwrecks in Deep Water off Ashkelon, Israel (2002)The Evolution of Recent Multidisciplinary Deep-Water Archaeological and Biological Research on the Gulf of Mexico Outer Continental Shelf (2018)Going for the win‐win: including the public in underwater cultural heritage management through citizen science in Australia and New Zealand (2020)The multispecies shipwreck (2023)"Discipline and punish. The birth of the prison", Michel Foucault, New York 1979 : [recenzja] / Jacek Sobczak. (1981)Discipline and Punish: The Birth of the Prison. (1996)The Content Analysis Guidebook (2017)Integrating Aerial and Underwater Data for Archaeology: Digital Maritime Landscapes in 3D (2019)The Rise of 3D in Maritime Archaeology (2019)Submerged prehistory and anthropological archaeology: Do underwater studies contribute to theory? (2020)The Perception of the Environment (2002)The Perception of the Environment: Essays on Livelihood, Dwelling and Skill (2012)
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Cited by

  • 2009Twenty-First-Century Historical Archaeology106 cited
  • 2013Historical Archaeology, Contact, and Colonialism in Oceania57 cited
  • 2016Site Formation Processes of Submerged Shipwrecks39 cited
  • 2017Archaeology Hijacked: Addressing the Historical Misappropriations of Maritime and Underwater Archaeology32 cited
  • 2015Can Artificial Reef Wrecks Reduce Diver Impacts on Shipwrecks? The Management Dimension24 cited
  • 2012Of His Bones are Coral Made: Submerged Cultural Resources, Site Formation Processes, and Multiple Scales of Interpretation in Coastal Ghana16 cited
  • 2011Places of Special Meaning: Westerdahl’s Comet, “Agency,” and the Concept of the “Maritime Cultural Landscape”15 cited

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