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Cinema and painting: how art is used in film
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Cited by

  • 2010Intermediality in Film: A Historiography of Methodologies42 cited
  • 2003Landscapes of deliquescence in Michelangelo Antonioni'sRed Desert40 cited
  • 2008Transfigurations : Violence, Death and Masculinity in American Cinema40 cited
  • 2010Crash29 cited
  • 1999Fleshing the Text: Greenaway's Pillow Book and the Erasure of the Body21 cited
  • 2006As relações entre as artes: por uma arqueologia da intermidialidade19 cited
  • 2017Agnes Varda between Film, Photography, and Art14 cited
  • 2004The Afterlife of Art and Objects: Alain Cavalier's "Therese"12 cited
  • 2020Beyond Media Borders, Volume 211 cited
  • 2022Интермедиальность в моделировании поэтики кинодискурса8 cited
  • 2017The art of advertising happiness: Agnès Varda’sLe Bonheurand Pop Art6 cited
  • 2016Realizing the witch: science, cinema, and the mastery of the invisible6 cited
  • 2010‘The in-between of things’: intermediality inRatcatcher5 cited
  • 2006Teaching the Middle Ages on Film: Visual Narrative and the Historical Record5 cited
  • 2013The Vertigo of the Single Image: From the Classic Narrative “Glitch” to the Post-Cinematic Adaptations of Paintings

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5 cited
  • 2012Robert Bresson's Modernist Canvas: The Gesture toward Painting in Au hasard Balthazar4 cited