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The Compleat Gentleman
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  • 2010Ritual, Belief and the Dead in Early Modern Britain and Ireland92 cited
  • 1998The itch grown a disease: Manuscript transmission of news in the seventeenth century42 cited
  • 2001What Was Performance?33 cited
  • 2014The poetics and politics of youth in Milton's England30 cited
  • 2005Social Rank, "The Rise of the Novel," and Whig Histories of Eighteenth-Century Fiction28 cited
  • 2011Fellow Students: Hamlet, Horatio, and the Early Modern University27 cited
  • 2011The apartheid of antiquity22 cited
  • 1976Music and the three appeals of classical rhetoric19 cited
  • 1998Nature, Culture, Myth, and the Musician in Early Modern England18 cited
  • 2007The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender17 cited
  • 2009Honor, Brotherhood, and the Corporate Ethos of London's Barber-Surgeons' Company, 1570-164017 cited
  • 2012Problem Fathers in Shakespeare and Renaissance Drama15 cited
  • 2014Writing Metamorphosis in the English Renaissance9 cited
  • 2017The Dynamics of Inheritance on the Shakespearean Stage7 cited
  • 2011“Barbarous Gallants”: Fashion, Morality, and the Marked Body in English Culture, 1590–1660

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6 cited
  • 1986Sweet Meats with Sour Sauce: The Genesis of Musical Irony in English Drama after 16005 cited