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Nineteenth‐Century American Gothic
14 references·2 citing·26 second hop
Nineteenth‐Century American Gothic (2012)Nineteenth‐Century American GothicWieland ; or the transformation (2009)Wieland ; or the transformati…The Heath Anthology of American Literature (1998)The Heath Anthology of Americ…Frontier Gothic: Terror and Wonder at the Frontier in American Literature (1994)Frontier Gothic: Terror and W…Gothic (re)visions: writing women as readers (1993)Gothic (re)visions: writing w…Playing in the dark: whiteness and the literary imagination (1992)Playing in the dark: whitenes…Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville. (1989)Beneath the American Renaissa…The piazza tales and other prose pieces, 1839-1860 (1987)The piazza tales and other pr…Sensational Designs: The Cultural Work of American Fiction 1790-1860 (1986)Sensational Designs: The Cult…The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. (1985)The Melodramatic Imagination:…American Gothic: Imagination and Reason in Nineteenth-Century Fiction. (1983)American Gothic: Imagination …The American Novel and Its Tradition (1980)The American Novel and Its Tr…Poe's Fiction: Romantic Irony in the Gothic Tales. (1973)Poe's Fiction: Romantic Irony…Great Short Works of Edgar Allan Poe (1970)Great Short Works of Edgar Al…Love and Death in the American Novel. (1961)Love and Death in the America…Transcendentalist and Gothic Intentions (2015)Transcendentalist and Gothic …Behind Locked Doors: Angela Carter, Horror and the Influence of Edgar Allan Poe (2006)Behind Locked Doors: Angela C…A Critical Introduction to Law and Literature (2007)Style, Gender, and Fantasy in Nineteenth-Century American Women's Writing (2010)The Myths That Made America (2014)Cannibalism in Literature and Film (2012)The Myths That Made America (2014)Romanticism and the American Gothic (2017)Yearnings: televisual love and melodramatic politics in contemporary China (1994)“Praise the Lord”: Popular cinema and pentecostalite style in Ghana's new public sphere (2004)The Cambridge History of African American Literature (2011)The invention of pornography: Obscenity and the origins of modernity, 1500–1800 (1996)The Cambridge History of American Theatre (1998)The Cambridge History of the American Novel (2011)Herman Melville's Whaling Years (2004)Specters of Democracy (2011)6. Fighting for Our Lives (2000)The Persistent Problem of Colorism: Skin Tone, Status, and Inequality (2007)On plantations, prisons, and a black sense of place (2011)In Defense of Sentimentality (2004)Woman in the Nineteenth Century (1984)Bad is Stronger than Good (2001)The Gold Standard and the Logic of Naturalism (1985)The Cambridge History of American Literature (1995)The worlding of the American novel (2011)Romanticism, Maternity, and the Body Politic (2003)Romanticism, Maternity, and the Body Politic (2005)The Emergence of Irish Gothic Fiction: History, Origins, Theories (2013)
this work references cited by second hop

References

  • 1986Sensational Designs: The Cultural Work of American Fiction 1790-18601,074 cited
  • 1992Playing in the dark: whiteness and the literary imagination997 cited
  • 1985The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess.910 cited
  • 1961Love and Death in the American Novel.807 cited
  • 1980The American Novel and Its Tradition448 cited
  • 1987The piazza tales and other prose pieces, 1839-1860310 cited
  • 1989Beneath the American Renaissance: The Subversive Imagination in the Age of Emerson and Melville.308 cited
  • 1998The Heath Anthology of American Literature305 cited
  • 1993Gothic (re)visions: writing women as readers77 cited
  • 1994Frontier Gothic: Terror and Wonder at the Frontier in American Literature54 cited
  • 1973Poe's Fiction: Romantic Irony in the Gothic Tales.54 cited
  • 2009Wieland ; or the transformation36 cited
  • 1983American Gothic: Imagination and Reason in Nineteenth-Century Fiction.33 cited
  • 1970Great Short Works of Edgar Allan Poe23 cited

Cited by

  • 2006Behind Locked Doors: Angela Carter, Horror and the Influence of Edgar Allan Poe14 cited

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  • 2015Transcendentalist and Gothic Intentions11 cited