Snow Seen: The Films and Photographs of Michael Snow

Regina Cornwell

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Cinema History and Criticism Photographic and Visual Arts Visual Culture and Art Theory

Abstract

Positioning Snow's oeuvre within a theoretical context, Cornwell provides an analysis of, and illustrates the inherent relationship between the artist's photographic and film work, focusing on Wavelength (1966-67), (1968-1969), La Region centrale (1970-71) and Rameau's Nephew (1972-74). Four appendices include a previously unpublished text (1962-63) by Snow and a description by sequence of Rameau's Nephew. 19 bibl. ref.

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