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English Opera from 1834 to 1864 with Particular Reference to the Works of Michael Balfe
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English Opera from 1834 to 1864 with Particular Reference to the Works of Michael Balfe (2018)English Opera from 1834 to 1864 with Part…Foreign Opera at the London Playhouses: From Mozart to Bellini (2015)Foreign Opera at the London P…British Romanticism in European Perspective (2015)British Romanticism in Europe…Fin-de-Siècle Britain: Imperialism and Wagner in the Music of Gustav Holst. (2007)Fin-de-Siècle Britain: Imperi…Continental Opera Englished, English Opera Continentalized:Der Freischützin London, 1824 (2004)Continental Opera Englished, …Mark Girouard. The Return to Camelot: Chivalry and the English Gentleman. New Haven: Yale University Press. 1981. Pp. 312. $35.00 (1982)Orientalism: history, theory and the arts (1996)Culture and Imperialism (2017)Authors and Owners: The Invention of Copyright (1993)Britons : Forging the Nation, 1707-1837 (2003)Adaptation and Appropriation (2015)An Earnest Meyerbeer:Le Prophèteat London’s Royal Italian Opera, 1849 (2017)The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. (1985)Nineteenth-century music (1989)Illegitimate Theatre in London, 1770-1840 (2004)Rousseau and the Republic of Virtue: The Language of Politics in the French Revolution (1986)Italy and the Grand Tour (2003)Erasmus Darwin's Cosmopolitan Nature (2009)
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  • 2015British Romanticism in European Perspective15 cited
  • 2015Foreign Opera at the London Playhouses: From Mozart to Bellini6 cited
  • 2004Continental Opera Englished, English Opera Continentalized:Der Freischützin London, 18244 cited
  • 2007Fin-de-Siècle Britain: Imperialism and Wagner in the Music of Gustav Holst.2 cited

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