Dismantling the dream factory: gender, German cinema, and the postwar quest for a new film language

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Cinema History and Criticism German Literature and Culture Studies Cinema and Media Studies

Abstract

Figures Acknowledgments Introduction: Postwar German Cinema Chapter 1. The Female Gaze in The Murderers Are Among Us Chapter 2. Authorship and Stardom in Film Without a Title Chapter 3. Love '47 as Woman's Film Chapter 4. Race, Ethnicity, and Gender in Epilogue Chapter 5. Regendering Representation in The Sinner Chapter 6. Visual Pleasure and Cinematic Realism in The Forester of the Silver Wood Chapter 7. Gender and Sexuality in Different From You and Me Chapter 8. Spectatorship and Genre in Engagement in Zurich Chapter 9. Critical Strategies of The Girl Rosemarie Chapter 10. The Bread of Those Early Years as Transitional Film Epilogue: Adapting the 1950s Bibliography Index

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2018Migration and refugees in German cinema: transnational entanglements 2014Fashion Amidst the Ruins: Revisiting the Early Rubble Films And the Heavens Above (1947) and The Murderers are Among Us (1946)

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