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Harpsichord and Clavichord
9 references·4 citing·28 second hop
Harpsichord and Clavichord (2010)Harpsichord and ClavichordA History of the Harpsichord (2003)A History of the HarpsichordA History of Performing Pitch: The Story of 'A' (2002)A History of Performing Pitch…Tuning, Timbre, Spectrum, Scale (1998)Tuning, Timbre, Spectrum, Sca…Three Centuries of Harpsichord Making (1966)Three Centuries of Harpsichor…Three Centuries of Harpsichord Making (1966)Three Centuries of Harpsichor…The Harpsichord and Clavichord (1961)The Harpsichord and ClavichordThe Harpsichord and Clavichord (1959)The Harpsichord and ClavichordTuning and Temperament; A Historical Survey (1952)Tuning and Temperament; A His…Tuning and Temperament, a Historical Survey (1952)Tuning and Temperament, a His…Description of String Instruments for Classical Music (2016)Description of String Instrum…The teaching of performance (2012)The teaching of performancePerformance in the Renaissance: an overview (2012)Performance in the Renaissanc…Instrumental performance in the nineteenth century (2012)Instrumental performance in t…The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Frank O'Hara's Virtuosity (2017)The creative work of large ensembles (2017)Assessing The Tuning Of Sung Indian Classical Music. (2011)One in the Dance: Musical Correlates of Group Synchrony in a Real-World Club Environment (2016)The Sound of Music: The Effect of Timbral Sound Quality in Audio Logos on Brand Personality Perception (2022)Harpsichords, Clavichords and Similar Instruments in Madrid in the Second Half of the Eighteenth Century (1982)Instrumental performance in the twentieth century and beyond (2012)Performance in the ‘long eighteenth century’: an overview (2012)J. C. Bach and the Early Piano in London (1991)Metals of music (1992)Uncovering hidden jewels: an investigation of the pictorial layers of an 18th-century Taskin harpsichord (2020)Music theory and mathematics (2002)Vocal performance in the seventeenth century (2012)The Cambridge History of Sixteenth-Century Music (2019)The Cambridge History of Musical Performance (2012)The performer and the composer (2012)The Cambridge Companion to the Harpsichord (2019)Musical performance in the twentieth century and beyond: an overview (2012)Vocal performance in the twentieth century and beyond (2012)The Harpsichord and Clavichord (2013)The Minkowski Geometry of Numbers Applied to the Theory of Tone Systems (2013)Evolution of Tonal Organization in Music Optimizes Neural Mechanisms in Symbolic Encoding of Perceptual Reality. Part-2: Ancient to Seventeenth Century (2016)Towards an optimal instrument: Domenico Scarlatti and the new wave of Iberian harpsichord making (2007)Preservative Conservation of Musical Instruments (2016)‘High’ clefs in composition and performance (2006)
this work references cited by second hop

References

  • 1998Tuning, Timbre, Spectrum, Scale205 cited
  • 1952Tuning and Temperament; A Historical Survey154 cited
  • 2002A History of Performing Pitch: The Story of 'A'98 cited
  • 1952Tuning and Temperament, a Historical Survey71 cited
  • 1966Three Centuries of Harpsichord Making48 cited
  • 1966Three Centuries of Harpsichord Making45 cited
  • 2003A History of the Harpsichord21 cited
  • 1959The Harpsichord and Clavichord15 cited
  • 1961The Harpsichord and Clavichord10 cited

Cited by

  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012The teaching of performance2 cited
  • 2016Description of String Instruments for Classical Music2 cited
  • 2012Performance in the Renaissance: an overview2 cited

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