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A Touch of Red: Archaeological and Ethnographic Approaches to Interpreting Finnish Rock Paintings
16 references·16 citing·33 second hopsampled
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(1992)A History of Archaeological T…The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)The Signs of All Times: Entop…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. 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this work references cited by second hop· second hop is a sample of the most-cited connections

References

  • 1993Ritual Theory, Ritual Practice3,357 cited
  • 2021The Perception of the Environment: Essays on Livelihood, Dwelling and Skill3,246 cited
  • 1974The Mediterranean and the Mediterranean World in the Age of Philip II2,848 cited
  • 1994A Phenomenology of Landscape: Places, Paths and Monuments2,036 cited
  • 1992A History of Archaeological Thought. By Bruce G. Trigger.1,293 cited
  • 1951Shamanism: Archaic Techniques of Ecstasy884 cited
  • 1959The sacred and the profane824 cited
  • 1993Faces in the Clouds: A New Theory of Religion775 cited
  • 2000An archaeology of natural places641 cited
  • 2003The mind in the cave: consciousness and the origins of art595 cited
  • 1988The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply]474 cited
  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 2004Archaeology, Ritual, Religion331 cited
  • 2002Ethnoarchaeology in Action272 cited
  • 1999Ritual and Rationality: Some Problems of Interpretation in European Archaeology271 cited
  • 1978People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought

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269 cited

Cited by

  • 2017Rock Art and Ontology65 cited
  • 2012Engendering North European Rock Art: Bodies and Cosmologies in Stone and Bronze Age Imagery39 cited
  • 2017Acoustic Measurements and Digital Image Processing Suggest a Link Between Sound Rituals and Sacred Sites in Northern Finland38 cited
  • 2014Cultivation of Perception and the Emergence of the Neolithic World35 cited
  • 2012Mythic Discourses: Studies in Uralic Traditions24 cited
  • 2019Northern Archaeology and Cosmology23 cited
  • 2020A Comparative Study of Rock Art in Later Prehistoric Europe19 cited
  • 2020Red‐coated rocks on the seashore: The esthetics and geology of prehistoric rock art in Alta, Arctic Norway14 cited
  • 2019Rock art and animism in the Canadian Shield12 cited
  • 2014Coastal Cosmologies: Long-Term Perspectives on the Perception and Understanding of Dynamic Coastal Landscapes in the Northern Baltic Sea Region12 cited
  • 2019Elk Heads at Sea: Maritime Hunters and Long‐Distance Boat Journeys in Late Stone Age Fennoscandia9 cited
  • 2021Product or Production: On the accumulative Aspect of Rock Art at Nämforsen, Northern Sweden2 cited
  • 2019Sexed animals in Swedish Southern Tradition rock carvings: gender, sexuality, fertility, and implications for animals in Bronze Age ontology2 cited
  • 2013To all our relations: evidence of Sámi involvement in the creation of rock paintings in Finland1 cited
  • 2013The Cave Paintings of Norway1 cited
  • 2017Noaidi drums from Sápmi, rock paintings in Finland and Sámi cultural heritage – an investigation1 cited