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Musicology and difference: Gender and sexuality in music scholarship
1 references·16 citing·48 second hop
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this work references cited by second hop

References

  • 1993Musicology and Difference255 cited

Cited by

  • 2009Defining the Term 'Absolute Music' Historically106 cited
  • 1997Analyzing Music under the New Musicological Regime85 cited
  • 2010When Opera Meets Film81 cited
  • 2011Nettl's elephant: on the history of ethnomusicology75 cited
  • 1995The Sensuality of Timbre: Responses to Mahler and Modernity at the "Fin de siècle"68 cited
  • 2017Staging Overcoming: Narratives of Disability and Meritocracy in Reality Singing Competitions66 cited
  • 2021Sound Relations57 cited
  • 1996"Breakthrough" as Critique of Form: The Finale of Mahler's First Symphony54 cited
  • 2015Why Voice Now?41 cited
  • 1999‘The phantom of the Opera’: the lost voice of opera in silent film39 cited
  • 2004The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies37 cited
  • 2004Historical perspectives in music sociology35 cited
  • 2004Feminist Waves and Classical Music: Pedagogy, Performance, Research33 cited
  • 1998"La Guerre en dentelles": Women and the "Prix de Rome" in French Cultural Politics29 cited

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2012
Introduction: Gender, Sexuality, and the Soundtrack
29 cited
  • 2008Women Conductors on the Orchestral Podium: Pedagogical and Professional Implications28 cited