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Brian Poole and The Tremeloes or The Yardbirds
4 references·2 citing·27 second hop
Brian Poole and The Tremeloes or The Yardbirds (2015)Brian Poole and The Tremeloes or The Yard…The Sound of the Suburbs: A Case Study of Three Garage Bands in San Jose, California during the 1960s (2005)The Sound of the Suburbs: A C…Sixties Rock: Garage, Psychedelic, and Other Satisfactions (1999)Sixties Rock: Garage, Psyched…The seventh stream: the emergence of rocknroll in American popular music (1993)The seventh stream: the emerg…The impact of the Beatles on pop music in Australia: 1963–66 (1987)The impact of the Beatles on …Nice girls don’t jive: the rise and fade of women in Perth music from the late 1950s to the early 1970s (2016)Nice girls don’t jive: the ri…Sleepy township: Perth indie rock in the 1990s (2015)Sleepy township: Perth indie …Art into Pop (1987)Subcultural identity in alternative music culture (1993)INDIE: THE INSTITUTIONAL POLITICS AND AESTHETICS OF A POPULAR MUSIC GENRE (1999)Archaeology, Heritage and Performance in the Perth Popular Music Scene (2019)You Get to Know the Scene Inside Out, but the Cost of Travel is a Burden: The Impacts of Isolation and Peripherality on the Contemporary Music Scene of Perth, Western Australia (2021)Audio identity in branding and brand communication strategy: a systematic review of the literature on audio branding (2022)‘The magic that can set you free’: the ideology of folk and the myth of the rock community (1981)Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Popular music and youth culture: music, identity and place (2000)Latinos in the Garage: A Genealogical Examination of the Latino/a Presence and Influence in Garage Rock (and Rock and Pop Music)1 (2008)From Beatles Fans to Beat Groups (2013)Toward an Anti-Racist Music Education: A Critical Pedagogy of Popular Music Teacher Education (2024)The media are American: Anglo-American media in the world (1977)Urban Rhythms (1985)Urban Rhythms: Pop Music and Popular Culture. (1987)Cultural Precincts, Creative Spaces (2008)The “Lord Mayor of Beatle-land”: Popular Music, Local Government, and the Promotion of Place in 1960s Liverpool (2012)Popular Music Heritage, Cultural Justice and the Deindustrialising City (2023)Damned Whores and God's Police: The Colonization of Women in Australia (1975)The man of reason: "male" and "female" in Western philosophy (1984)Women and popular music: sexuality, identity and subjectivity (2001)Yes, ‘Awaken’, and the progressive rock style (2001)From Psychotic to Psychedelic: The Garage Contribution to Psychedelia (2006)Resonances : noise and contemporary music (2013)The rise and fall of highbrow snobbery as a status marker (1997)When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry (2000)Problems in comparative research: The example of omnivorousness (2005)
this work references cited by second hop

References

  • 1993The seventh stream: the emergence of rocknroll in American popular music183 cited
  • 1999Sixties Rock: Garage, Psychedelic, and Other Satisfactions46 cited
  • 1987The impact of the Beatles on pop music in Australia: 1963–6615 cited
  • 2005The Sound of the Suburbs: A Case Study of Three Garage Bands in San Jose, California during the 1960s6 cited

Cited by

  • 2015Sleepy township: Perth indie rock in the 1990s4 cited
  • 2016Nice girls don’t jive: the rise and fade of women in Perth music from the late 1950s to the early 1970s3 cited

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