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Reclaiming a Positive Identity in Chronic Illness through Artistic Occupation
3 references·16 citing·44 second hop
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References

  • 1992Basics of Qualitative Research: Grounded Theory Procedures and Techniques.29,249 cited
  • 1993Basics of Qualitative Research: Grounded Theory Procedures and Techniques17,576 cited
  • 1999Medical Art Therapy With Adults111 cited

Cited by

  • 2014The Experience of Parkinson’s Disease: A Systematic Review and Meta-Ethnography113 cited
  • 2009Making art: A qualitative study of personal and group transformation in a community arts studio.56 cited
  • 2010Sewing in the lives of immigrant women40 cited
  • 2004Textile Art Promoting Well‐being in Long‐term Illness: Some General and Specific Influences39 cited
  • 2014Clients’ positive and negative experiences of experiential art therapy group process34 cited
  • 2011Use of Creative Arts as a Complementary Therapy by Rural Women Coping With Chronic Illness28 cited
  • 2014Identifying a Framework for Hope in Order to Establish the Importance of Generalised Hopes for Individuals Who Have Suffered a Stroke22 cited
  • 2012Art-making and well-being in healthy young adult women20 cited
  • 2018Effects of motivation interviewing using a group art therapy program on negative symptoms of schizophrenia19 cited
  • 2025The effects of crafts‐based interventions on mental health and well‐being: A systematic review18 cited
  • 2014Community‐Based Theater and Adults with Psychiatric Disabilities: Social Activism, Performance and Community Engagement

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15 cited
  • 2024The potential of arts therapies in Parkinson's disease rehabilitation: A comprehensive review11 cited
  • 2024“You Must Learn to Age”: Reflections on and Adaptations to Age-Related Changes Among Older Artists and Craftspeople9 cited
  • 2023Art-Based Workshops for Women: An Opportunity for Reflection on Identity and Transformation following Cancer Treatment6 cited
  • 2016Well&;#x02010;Being in the Arts and Crafts Sector6 cited
  • 2011Crafting Identities : Female crafters and their expressions of identity through crafts6 cited