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Transience: Chinese Experimental Art at the End of the Twentieth Century
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Cited by

  • 2000Zhang Dali's Dialogue: Conversation with a City55 cited
  • 2008An awful mark: symbolic violence and urban renewal in reform‐era China54 cited
  • 2008The Topology of Contemporary Art39 cited
  • 2007The Independent Cinema of Jia Zhangke27 cited
  • 2004Considering Huanjing: Positioning Experimental Art in China23 cited
  • 2007Tracing the City’s Scars22 cited
  • 2009Framing the Ephemeral20 cited
  • 2007Rebel without a Cause? China’s New Urban Generation and Postsocialist Filmmaking20 cited
  • 2008The Postcolonial Constellation15 cited
  • 2001Photographing Deformity: Liu Zheng and His Photo Series “My Countrymen”14 cited
  • 2007Tear Down the City14 cited
  • 2008Introduction to Info-Aesthetics12 cited
  • 2015Migrant workers and the imaging of human infrastructure in Chinese contemporary art11 cited
  • 2015Urbanized interfaces: Visual arts in Chinese cities7 cited
  • 2016Ruin in the films of Jia Zhangke7 cited
  • 2007Urban Dreamscape, Phantom Sisters, and the Identity of an Emergent Art Cinema

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7 cited