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Gamelan Encounters with Western Music in Indonesia: Hybridity/Hybridism
13 references·6 citing·33 second hop
Gamelan Encounters with Western Music in Indonesia: Hybridity/Hybridism (2010)Gamelan Encounters with Western Music in …Music and the Global Order (2004)Music and the Global OrderWorlds of Music: An Introduction to the Music of the World’s Peoples (2002)Worlds of Music: An Introduct…Recentering Globalization (2002)Recentering GlobalizationWestern music and its others : difference, representation, and appropriation in music (2000)Western music and its others …A Sweet Lullaby for World Music (2000)A Sweet Lullaby for World Mus…Theorizing the Hybrid (1999)Theorizing the HybridThe Hybrid Metaphor: From Biology to Culture (1999)The Hybrid Metaphor: From Bio…Gamelan: Cultural Interaction and Musical Development in Central Java (1996)Gamelan: Cultural Interaction…On Unthinking Eurocentrism: Multiculturalism and the Media (1995)On Unthinking Eurocentrism: M…Modernity : an introduction to modern societies (1995)Modernity : an introduction t…Mimesis and alterity: a particular history of the senses (1993)Mimesis and alterity: a parti…Lokananta: A Discography of the National Recording Company of Indonesia (1988)Lokananta: A Discography of t…Reflections: Essays, Aphorisms, Autobiographical Writings (1980)Reflections: Essays, Aphorism…Continuity or Change? How Migrants’ Musical Activities (Do not) Affect Ethnic Boundaries (2023)Continuity or Change? How Mig…The History and Development of Lagu Seriosa in the Context of Musical Nationalism in Indonesia (2017)The History and Development o…The Hybrid Music and Cosmopolitan Scene of Balinese Guitarist I Wayan Balawan (2013)The Hybrid Music and Cosmopol…Musical Genre and Hybridity in Indonesia: Simponi Kecapi and Campur Sari (2013)Musical Genre and Hybridity i…“Dance to Your Roots”: Genre Fusions in the Music of Indonesia’s Krakatau (2013)“Dance to Your Roots”: Genre …“Fusion” and Questions of Korean Cultural Identity in Music (2011)“Fusion” and Questions of Kor…The Predicament of Culture (1988)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Visible Evidence of Cultural Producers (2000)Transidiomatic practices: Language and power in the age of globalization (2005)Soundscapes: Toward a Sounded Anthropology (2010)The Black Atlantic: Modernity and Double Consciousness (1994)Music and the racial imagination (2000)The Anthropology of Globalization: A Reader (2002)Sonic Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America (2006)Cultural Uniqueness and Aesthetic Cosmopolitanism (2007)Music and globalization: critical encounters (2012)Race and the Education of Desire (1995)Voices of Modernity (2003)Human-Machine Reconfigurations: Plans and Situated Actions (2006)Attitudes toward science among the European public: A methodological analysis (2002)Practices of global capital: gaps, cracks and ironies in transnational call centres in India (2004)Keywords and Cultural Change: Frame Analysis of Business Model Public Talk, 1975–2000 (2005)The Ghosts of Industrial Ruins: Ordering and Disordering Memory in Excessive Space (2005)Sovereignty Revisited (2006)Law and disorder in the postcolony* (2007)Hybridity in Cultural Globalization (2002)A Neo‐Boasian Conception of Cultural Boundaries (2004)Epistemological Bricolage: How Practitioners Make Sense of Learning (2007)Rethinking diversity: Hybridity and hybrid language practices in the third space (1999)“Under Western Eyes” Revisited: Feminist Solidarity through Anticapitalist Struggles (2003)Rethinking Critical Theory and Qualitative Research (2011)On Location: Theory and Practice in Classroom-Based Writing Tutoring (2005)The Concept of Hybridity in Journalism Studies (2021)Those Naughty Teenage Girls: Japanese Kogals, Slang, and Media Assessments (2004)‘New Shanghailanders’ or ‘New Shanghainese’: Western Expatriates' Narratives of Emplacement in Shanghai (2010)Living in a Global World: Influence of Consumer Global Orientation on Attitudes toward Global Brands from Developed versus Emerging Countries (2012)Subcultures, Scenes or Tribes? None of the Above (2005)Transnational Migration Studies: Past Developments and Future Trends (2007)
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References

  • 1993Mimesis and alterity: a particular history of the senses3,316 cited
  • 1980Reflections: Essays, Aphorisms, Autobiographical Writings1,584 cited
  • 1995On Unthinking Eurocentrism: Multiculturalism and the Media1,181 cited
  • 1995Modernity : an introduction to modern societies842 cited
  • 2002Recentering Globalization719 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 2000A Sweet Lullaby for World Music406 cited
  • 2004Music and the Global Order327 cited
  • 1999Theorizing the Hybrid169 cited
  • 1999The Hybrid Metaphor: From Biology to Culture110 cited
  • 2002Worlds of Music: An Introduction to the Music of the World’s Peoples53 cited
  • 1996Gamelan: Cultural Interaction and Musical Development in Central Java51 cited
  • 1988Lokananta: A Discography of the National Recording Company of Indonesia29 cited

Cited by

  • 2011“Fusion” and Questions of Korean Cultural Identity in Music10 cited
  • 2013The Hybrid Music and Cosmopolitan Scene of Balinese Guitarist I Wayan Balawan7 cited
  • 2013

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“Dance to Your Roots”: Genre Fusions in the Music of Indonesia’s Krakatau
7 cited
  • 2017The History and Development of Lagu Seriosa in the Context of Musical Nationalism in Indonesia6 cited
  • 2013Musical Genre and Hybridity in Indonesia: Simponi Kecapi and Campur Sari3 cited
  • 2023Continuity or Change? How Migrants’ Musical Activities (Do not) Affect Ethnic Boundaries2 cited