References

No references inside the corpus for this window.

Cited by

• 2007When Pigs Fly: Anime, Auteurism, and Miyazaki’s Porco Rosso27 cited
• 2017Early Film Culture in Hong Kong, Taiwan, and Republican China24 cited
• 2008Asian Masculinities and Parodic Possibility in Odaiko Solos and Filmic Representations14 cited
• 2015Contemporary Japanese Cinema Since Hana-Bi11 cited
• 2019Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan10 cited
• 2008Families, Fathers, Film: Changing Images from Japanese Cinema10 cited
• 2010Teaching Japanese Popular Culture8 cited
• 2005Mediators of Modernity: "Photo-interpreters" in Japanese Silent Cinema7 cited
• 2014Rogue diva flows: Aoi Sola's reception in the Chinese media and mobile celebrity5 cited
• 2018“But how do you show that in a film?” Absence, Cartographic Anxiety, and Geographic Realism through the Landscapes of Akira Kurosawa’sDersu Uzala5 cited
• 2011The Benshi Track: Mizoguchi Kenji's The Downfall of Osen and the Sound Transition5 cited
• 2010Horse power: the Japanese army, Mongolia and the horse, 1927–434 cited
• 2015Contemporary Japanese Cinema Since Hana-Bi4 cited
• 2013Flashes of the Sword and the Star0 cited