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References

1980Margaret Thatcher: A New Illusion740 cited
1986Music Theory, Phenomenology, and Modes of Perception319 cited
2012Musical Forces: Motion, Metaphor, and Meaning in Music294 cited
2009Beethoven’s last piano sonata and those who follow crocodiles: Cross-domain mappings of auditory pitch in a musical context291 cited
1979Aspects of 'Are'are Musical Theory111 cited
2008National metrical types in music of the eighteenth and early nineteenth centuries90 cited
2006You Reap What You Sow: Some Instances of Rhythmic and Harmonic Ambiguity in Brahms59 cited
1988Foreground Motivic Ambiguity: Its Clarification at Middleground Levels in Selected Late Piano Pieces of Johannes Brahms37 cited
1983Functional Ambiguity in Musical Structures23 cited
1990Pitch-Class Set Analysis: An Evaluation18 cited
1981Structural ambiguity in Brahms: Analytical approaches to four works18 cited

Cited by

2022Fuzzy Family Ties5 cited
2020A Heuristic Theory of Metrical Transformation and Tune Metamorphosis: Tracking Creativity in Traditional Cantonese Opera5 cited

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