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The Leroi Jones/Amiri Baraka reader
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  • 2000Jazz, Realism, and the Modernist Lyric: The Poetry of Langston Hughes44 cited
  • 2006Improvisational Insurrection: The Sound Poetry of Tracie Morris40 cited
  • 2007The Sun Also Rises in Queer Black Harlem: Hemingway and McKay's Modernist Intertext32 cited
  • 2004“Always New and Centuries Old”: Jazz, Poetry, and Tradition as Creative Adaptation30 cited
  • 2013Students' “Write” to Their Own Language: Teaching the African American Verbal Tradition as a Rhetorically Effective Writing Skill27 cited
  • 2010God's Black Revolutionary Mouth: James Baldwin's Black Radicalism24 cited
  • 2017Surviving the Hustle: Beyoncé's Performance of Work23 cited
  • 2015“Up Against the Wall Miss America”: Women’s Liberation and Miss Black America in Atlantic City, 196821 cited
  • 2013The Poetics of Chant and Inner/Outer Space:20 cited
  • 2001[Ed.] Bullins as Editorial Performer: Textual Power and the Limits of Performance in the Black Arts Movement17 cited
  • 2017Interludes in Madtime11 cited
  • 2016Signifying, Narrativizing, and Repetition: Radical Approaches to Theorizing African American Language9 cited
  • 2013Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America6 cited
  • 2013

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Blackface and the Black Arts Movement
5 cited
  • 2011Cultural capital and the presence of Africa: Lorraine Hansberry, August Wilson, and the power of black theater4 cited