SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Guillaume de Machaut and Reims: context and meaning in his musical works
0 references·16 citing·41 second hop
Guillaume de Machaut and Reims: context and meaning in his musical works (2003)Guillaume de Machaut and Reims: context a…Machaut's motets on secular songs (2020)Machaut's motets on secular s…CREATING MS C: AUTHOR, WORKSHOP, COURT (2020)CREATING MS C: AUTHOR, WORKSH…Discovering Medieval Song (2018)Discovering Medieval SongRape and Repentance in Two Medieval Motets (2017)Rape and Repentance in Two Me…Plague and Music in the Renaissance (2017)Plague and Music in the Renai…The Monstrous New Art: Divided Forms in the Late Medieval Motet (2015)The Monstrous New Art: Divide…Quotation, perfection and the eloquence of form: introducingBeatius/Cum humanum (2015)Quotation, perfection and the…SINGING THE HICCUP – ON TEXTING THE HOCKET (2013)SINGING THE HICCUP – ON TEXTI…Vocal performance in the seventeenth century (2012)Vocal performance in the seve…The performer and the composer (2012)The performer and the composerThe Cambridge History of Musical Performance (2012)The Cambridge History of Musi…Glorious Sounds for a Holy Warrior: New Light on Codex Turin J.II.9 (2012)Glorious Sounds for a Holy Wa…Performing the Passion: Music, Ritual, and the Eastertide Labyrinth (2009)Performing the Passion: Music…Observant reform in religious orders (2009)Observant reform in religious…Heaven, hell and purgatory: 1100–1500 (2009)Heaven, hell and purgatory: 1…The Savior, the Woman, and the Head of the Dragon in the Caput Masses and Motet (2006)The Savior, the Woman, and th…Image and Pilgrimage in Christian Culture: Anthropological Perspectives (1978):The Stripping of the Altars: Traditional Religion in England 1400-1580 (1994)The Stripping of the Altars (2005)Verdi, the Virgin, and the Censor: The Politics of the Cult of Mary in I Lombardi alla prima crociata and Giovanna d'Arco (2007)FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST (2011)Franzosisches Etymologisches Worterbuch. (1927)Die Musik in Geschichte und Gegenwart (1989)The Crisis of Music in Early Modern Europe, 1470-1530 (2005)Metapoesis in Trecento Song: ‘Divisio’ at the Intersection of Love, Poetic Form, and Music (2018)Songs of Nature in Medieval Northern France: Landscape, Identity, and Environment (2019)James MacMillan Studies (2020)Archivum Fratrum Praedicatorum (1933)Music in Renaissance Cities and Courts: Studies in Honor of Lewis Lockwood (1998)Fauvel and Marigny: Which Came First? (2023)The Fourteenth-Century Italian Motet (2023)The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis (2023)The Making of the English Working Class (1964)The New Grove dictionary of music and musicians (2001)Principles of Linguistic Change (2010)Reimagine to Revitalise (2021)The Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)Untimely Developments (2022)The King's Two Bodies: A Study in Mediaeval Political Theology (1958)Ritual: Perspectives and Dimensions (1999)Porous skin: Breathing through the prism of the holey body (2019)Functions of Music Making Under Lockdown: A Trans-Historical Perspective Across Two Pandemics (2020)Rabelais and his world (2020)Viral tunes: changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown (2021)Crime and Conflict in English Communities, 1300-1348 (1980)Law, Sex, and Christian Society in Medieval Europe (1989)Music and ceremony at Notre Dame of Paris, 500-1550 (1990)Choosing a Thirteenth-Century Motet Tenor: From the Magnus liber organi to Adam de la Halle (2019)Gattungen der Musik in Einzeldarstellungen : Gedenkschrift Leo Schrade (1973)The manuscript Ivrea, Biblioteca capitolare 115: Studies in the transmission and composition of Ars Nova polyphony (1997)ENCOMPASSING PAST AND PRESENT: QUOTATIONS AND THEIR FUNCTION IN MACHAUT'S MOTETS (2001)The Motet in the Late Middle Ages (2023)L'accomplissement du cercle: observations analytiques sur l'ordre des motets de Guillaume de Machaut (2004)Purity and Danger: An Analysis of Concepts of Pollution and Taboo. (1967)The Book of Memory: A Study of Memory in Medieval Culture (1991)PHILIPPE DE VITRY, BISHOP OF MEAUX (2019)Music in the Early Colonial World (2019)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2015The Monstrous New Art: Divided Forms in the Late Medieval Motet57 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2006The Savior, the Woman, and the Head of the Dragon in the Caput Masses and Motet55 cited
  • 2012Glorious Sounds for a Holy Warrior: New Light on Codex Turin J.II.953 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2020CREATING MS C: AUTHOR, WORKSHOP, COURT45 cited
  • 2020Machaut's motets on secular songs44 cited
  • 2017Plague and Music in the Renaissance25 cited
  • 2013SINGING THE HICCUP – ON TEXTING THE HOCKET22 cited
  • 2017Rape and Repentance in Two Medieval Motets22 cited
  • 2015Quotation, perfection and the eloquence of form: introducingBeatius/Cum humanum21 cited
  • 2009Performing the Passion: Music, Ritual, and the Eastertide Labyrinth14 cited
  • 2009Observant reform in religious orders13 cited
  • 2018Discovering Medieval Song11 cited
  • 2012The performer and the composer10 cited
  • 2009

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Heaven, hell and purgatory: 1100–1500
9 cited