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Cited by

• 2008Activism in Southeast Asian Ethnomusicology: Empowering Youths to Revitalize Traditions and Bridge Cultural Barriers31 cited
• 2013The Kelantan Traditional Arts as Indicators for Sustainability: An Introduction to its Genius Loci23 cited
• 2005Religion never had it so good : Contemporary nasyid and the growth of islamic popular music in Malaysia17 cited
• 2016Dramatizing 1Malaysia in Contemporary Chinese Lion Dance14 cited
• 2022An Active Learning Study: Mastering Music Coordination Skills through Kompang and Dalcroze Eurhythmics among Primary Students12 cited
• 2013Negotiating ‘His Master’s Voice’: Gramophone Music and Cosmopolitan Modernity in British Malaya in the 1930s and Early 1940s10 cited
• 2014Hybridity and harmony8 cited
• 2005“Religion Never Had it so good“: Contemporary Nasyid and the Growth of Islamic Popular Music in Malaysia8 cited
• 2014Disquieting Degeneracy: Policing Malaysian and Singaporean Popular Music Culture From the Mid-1960s to Early-1970s6 cited
• 2013Music Learning and Performing: Applying Written and Oral Strategies6 cited
• 2013SYNCRETIC CULTURAL MULTIVOCALITY AND THE MALAYSIAN POPULAR MUSICAL IMAGINATION5 cited
• 2019Cosmopolitan Sounds and Intimate Narratives in P. Ramlee’s Film Music4 cited
• 2015Team-building in the 24 Seasons Drums Education: From Physical Exercise to Music