Cinema, Memory, Modernity: The Representation of Memory from the Art Film to Transnational Cinema

Russell Kilbourn

48 citations0/0 files stored

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cinema History and Criticism Memory, History, Trauma, Identity Spanish Culture and Identity

Abstract

Acknowledgments Introduction: Cinema, Memory, Modernity: The Return of Memory as Film 1: No Escape from Time: Memory and Redemption in the International Postwar Art Film 2: The 'Crisis' of Memory: 'Traumatic Identity' in the Contemporary Memory Film 3: 'Global Memory': Cinema as Lingua Franca and the Commodification of the Image 4: The Eye of History: Memory, Surveillance and Ethicality in the Contemporary Art Film 5: 'Prosthetic Memory' and Transnational Cinema: Globalized Identity and Narrative Recursivity in City of God Conclusion: Remembering to Forget: The Catachreses of Modernity Notes Bibliography Index

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 48 citations exist upstream.

Cited by

2012Film in Contemporary Southeast Asia 2017Film at the border: Memories of cinemagoing in Laredo, Texas 2015Cinematic Past Lives: Memory, Modernity, and Cinematic Reincarnation in Apichatpong Weerasethakul’s Uncle Boonmee Who Can Recall His Past Lives

Imported from OpenAlex (CC0) — nothing here is generated.