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Praise and Protest: Music and Contesting Patriotisms in Postcolonial Kenya
14 references·1 citing·30 second hop
Praise and Protest: Music and Contesting Patriotisms in Postcolonial Kenya (2004)Praise and Protest: Music and Contesting …Nation and Narration (2013)Nation and NarrationNationalists, cosmopolitans, and popular music in Zimbabwe (2001)Nationalists, cosmopolitans, …Nationalists, Cosmopolitans, and Popular Music in Zimbabwe (2000)Nationalists, Cosmopolitans, …World music : the rough guide (1999)World music : the rough guidePopular Music in Theory: An Introduction (1999)Popular Music in Theory: An I…Memory and the postcolony: African anthropology and the critique of power (1999)Memory and the postcolony: Af…Readings in African Popular Culture (1998)Readings in African Popular C…Popular music in theory: an introduction (1997)Popular music in theory: an i…Decolonization and Independence in Kenya 1940-1993 (1997)Decolonization and Independen…Ethnicity, Identity and Music. The Musical Construction of Place (1995)Ethnicity, Identity and Music…Ethnicity, Identity and Music: The Musical Construction of Place by Martin Stokes (ed) (1995)Ethnicity, Identity and Music…Moving the centre: the struggle for cultural freedoms (1993)Moving the centre: the strugg…Provisional notes on the postcolony (1992)Provisional notes on the post…In Township Tonight! South Africa's Black City Music and Theatre (1987)In Township Tonight! South Af…Jua Cali, gengerap music and the anxieties of living in the glocalized city of Nairobi (2011)Jua Cali, gengerap music and …The Gift: Forms and Functions of Exchange in Archaic Societies. (1956)The Presentation of Self in Everyday Life. (1956)Development studies and postcolonial studies: Disparate tales of the 'Third World' (1999)Naturing the Nation: Aliens, Apocalypse and the Postcolonial State (2001)Insecurity and welfare regimes in Asia, Africa, and Latin America social policy in development contexts (2005)Presentation of Self in Everyday Life, the (2008)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Regions and place: music, identity and place (2006)Musical Communities: Rethinking the Collective in Music (2011)The Making of the Aborigines (2020)African Modes of Self-Writing (2002)The Anthropology of Texts, Persons and Publics (2007)‘Potted Plants in Greenhouses’: A Critical Reflection on the Resilience of Colonial Education in Africa (2012)The cultural economy: geography and the creative field (1999)Evolutionary Models of Music: From Sexual Selection to Group Selection (2000)Key themes in media theory (2007)AIDS, Politics, and Music in South Africa (2011)Music and globalization: critical encounters (2012)A History of African Popular Culture (2017)The Post-Colonial Studies Reader (1996)Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices (1998)Boundary Crossing and Boundary Objects (2011)The mind and its stories: narrative universals and human emotion (2004)The Handbook of World Englishes (2006)Epistemic Freedom in Africa (2018)The US Recorded Music Industry: On the Relations between Organization, Location, and Creativity in the Cultural Economy (1999)Playing to the Crowd (2019)Music and the Global Order (2004)World music: deterritorializing place and identity (2004)Sonic Transculturation, Epistemologies of Purification and the Aural Public Sphere in Latin America (2006)
this work references cited by second hop

References

  • 2013Nation and Narration2,077 cited
  • 1992Provisional notes on the postcolony958 cited
  • 1993Moving the centre: the struggle for cultural freedoms718 cited
  • 2000Nationalists, Cosmopolitans, and Popular Music in Zimbabwe444 cited
  • 1997Popular music in theory: an introduction327 cited
  • 1998Readings in African Popular Culture326 cited
  • 1987In Township Tonight! South Africa's Black City Music and Theatre292 cited
  • 1995Ethnicity, Identity and Music. The Musical Construction of Place279 cited
  • 1995Ethnicity, Identity and Music: The Musical Construction of Place by Martin Stokes (ed)274 cited
  • 1999Popular Music in Theory: An Introduction222 cited
  • 1999Memory and the postcolony: African anthropology and the critique of power217 cited
  • 2001Nationalists, cosmopolitans, and popular music in Zimbabwe212 cited
  • 1997Decolonization and Independence in Kenya 1940-1993177 cited
  • 1999World music : the rough guide160 cited

Cited by

  • 2011Jua Cali, gengerap music and the anxieties of living in the glocalized city of Nairobi16 cited

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