T. S. Eliot and the Concept of Tradition

Abstract

Foreword Sir Frank Kermode Introduction Giovanni Cianci and Jason Harding Part I. Tradition and Impersonality: 1. Exorcising the demon of chronology: T. S. Eliot's reinvention of tradition Aleida Assmann 2. Proper frontiers: transgression and the individual talent Stan Smith 3. Writing the self: dialectic and impersonality in T. S. Eliot Jewel Spears Brooker 4. The later fortunes of impersonality: 'Tradition and the Individual Talent' and post-war poetry Clive Wilmer Part II. Contexts - Literary: 5. French influences and echoes in 'Tradition and the Individual Talent' Bernard Brugiere 6. Tradition and egoism: T. S. Eliot and The Egoist Jason Harding 7. Tradition in 1919: Pound, Eliot and the 'historical method' Massimo Bacigalupo Part III. Contexts - Art and Anthropology: 8. Reading T. S. Eliot visually: tradition in the context of modernist art Giovanni Cianci 9. Some art historical contexts for 'Tradition and the Individual Talent' Michael Hollington 10. 'A living whole': from T. S. Eliot's tradition to Hans Blumenberg's work on myth Claudia Corti 11. Whose tradition?: T. S. Eliot and the text of anthropology Caroline Patey Part IV. Case Studies: 12. Duchamp's Eliot: the detours of tradition and the persistence of individual talent Marjorie Perloff 13. Tradition and the march of literature: T. S. Eliot and Ford Madox Ford Max Saunders 14. At the frontiers of metaphysics: time and history in T. S. Eliot and Walter Benjamin Brett Neilson Select bibliography Index.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 30 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.