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Ars cantus mensurabilis
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Ars cantus mensurabilis (1977)Ars cantus mensurabilisMusic and the moderni, 1300–1350 (2018)Music and the moderni, 1300–1…The Monstrous New Art: Divided Forms in the Late Medieval Motet (2015)The Monstrous New Art: Divide…Quotation, perfection and the eloquence of form: introducingBeatius/Cum humanum (2015)Quotation, perfection and the…Speculative 'Musica' and the Medieval University of Paris (2009)Speculative 'Musica' and the …Urban production of manuscript books and the role of the university towns (2008)Urban production of manuscrip…The format of books – books, booklets and rolls (2008)The format of books – books, …Monastic and cathedral book production (2008)Monastic and cathedral book p…Lollard literature (2008)Lollard literatureLayout and presentation of the text (2008)Layout and presentation of th…Bookbindings (2008)BookbindingsArchive books (2008)Archive booksThe evolution of rhythmic notation (2002)The evolution of rhythmic not…Organum –discantus–contrapunctusin the Middle Ages (2002)Organum –discantus–contrapunc…Mnemotechnics and Notre Dame Polyphony (1996)Mnemotechnics and Notre Dame …Conductus and Modal Rhythm (1985)Conductus and Modal RhythmJohannes de Garlandia onorganum in speciali (1982)Johannes de Garlandia onorgan…The Art of Memory (1966)Orality and Literacy (1982)Orality and Literacy (2003)Orality, Literacy, and the Early Notation of the Office Hymns (2003)The Sacralization of Straightedge Punk: Bhakti-yoga, Nada Brahma and the Divine Received: Embodiment of Krishnacore (2015)The Earliest Source of Notre-Dame Polyphony? A New Conductus Fragment from the Early Thirteenth Century (2016)Duple Rhythm and Alternate Third Mode in the 13th Century (1962)Der Musiktraktat des Anonymus 4 (1967)Datable "Notre Dame" Conductus: New Historical Observations on Style and Technique (1998)Notre Dame'S new clothes (2014)A History of Twelfth-Century Western Philosophy (1988)The Cambridge History of Western Music Theory (2002)The Universities of Europe in the Middle Ages (2010)Reading and Theorizing Medieval Music Theory: Interpretation and Its Contexts (2011)From abbey to cathedral and court: music under the Merovingian, Carolingian and Capetian kings in France until Louis IX (2015)The Cambridge companion to French music (2015)A history of magic and experimental science (1923)The New Grove dictionary of music and musicians (2001)Oxford Dictionary of National Biography (2004)Source Readings in Music History (1966)On Compositional Process in the Fifteenth Century (1987)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)Rehearing Machaut's Motets (2010)Reading and rhythm in the ‘La Clayette’ manuscript (Paris, Bibliothèque nationale de France, nouv. acq. fr. 13521) (2014)Improvisation as concept and musical practice in the fifteenth century (2015)Purity and Danger: An Analysis of Concepts of Pollution and Taboo. (1967)The Book of Memory: A Study of Memory in Medieval Culture (1991)PHILIPPE DE VITRY, BISHOP OF MEAUX (2019)Fauvel and Marigny: Which Came First? (2023)The Fourteenth-Century Italian Motet (2023)The Onus Scaccarii Rolls Under Edward I (1272–1307) (2019)Visual Presentation of English Body and Soul Debates (2013)Cross-Channel Networks of History Writing: TheAnglo-Saxon Chronicle (2019)Medieval Historical Writing (2019)Mental Maps: Sense of Place in Medieval British Historical Writing (2019)English vernacular script (2011)The material fabric of early British books (2011)Writing in the Insular world (2011)
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  • 2015The Monstrous New Art: Divided Forms in the Late Medieval Motet57 cited
  • 2009Speculative 'Musica' and the Medieval University of Paris43 cited
  • 2008Bookbindings43 cited
  • 2002Organum –discantus–contrapunctusin the Middle Ages37 cited
  • 2008Archive books34 cited
  • 1985Conductus and Modal Rhythm32 cited
  • 2008Layout and presentation of the text28 cited
  • 2008The format of books – books, booklets and rolls26 cited
  • 1996Mnemotechnics and Notre Dame Polyphony25 cited
  • 2008Monastic and cathedral book production25 cited
  • 2015Quotation, perfection and the eloquence of form: introducingBeatius/Cum humanum21 cited
  • 2008Urban production of manuscript books and the role of the university towns19 cited
  • 2008Lollard literature17 cited
  • 2002The evolution of rhythmic notation8 cited
  • 2018Music and the moderni, 1300–13505 cited
  • 1982Johannes de Garlandia onorganum in speciali4 cited

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