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The Psychotronic Encyclopedia of Film
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  • 2000'A Real Shocker': Authenticity, genre and the struggle for distinction72 cited
  • 2000Blaxploitation Horror Films: Generic Reappropriation or Reinscription?49 cited
  • 2004Horror Film and Psychoanalysis35 cited
  • 2013British Trash Cinema22 cited
  • 2004Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value16 cited
  • 2004Foreword: “What Lies Beneath?”12 cited
  • 2014Mapping Cult Cinema in Latin American Film Cultures9 cited
  • 2004Explaining the Uncanny in The Double Life of Véronique9 cited
  • 2001Manifestations of the Literary Double in Modern Horror Cinema9 cited
  • 2004Afterword: Psychoanalysis and the Horror Film9 cited
  • 2004Violence and Psychophysiology in Horror Cinema8 cited
  • 2016Theorising cult cosmopolitanism: the transnational reception of Bollywood as cult cinema7 cited
  • 2004Manifestations of the Literary Double in Modern Horror Cinema6 cited
  • 2004Freud's Worst Nightmare: Dining with Dr. Hannibal Lecter6 cited
  • 2004“What's the Matter with Melanie?”: Reflections on the Merits of Psychoanalytic Approaches to Modern Horror Cinema

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5 cited
  • 1998Re‐birthing the monstrous: James Whale's (Mis) reading of Mary Shelley'sFrankenstein5 cited