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Roots and Routes of African Photographic Practices
13 references·2 citing·30 second hop
Roots and Routes of African Photographic Practices (2013)Roots and Routes of African Photographic …The Topography of the Early History of African Photography (2010)The Topography of the Early H…Film, Charcoal, Time: Contemporaneities in Gold Coast Photographs (2010)Film, Charcoal, Time: Contemp…Snap Judgments: New Positions in Contemporary African Photography (2007)Snap Judgments: New Positions…Intermediaries, Interpreters, and Clerks: African Employees in the Making of Colonial Africa (2007)Intermediaries, Interpreters,…Photography’s Other Histories (2003)Photography’s Other HistoriesColonialist Photography Imaging Race and Place (2002)Colonialist Photography Imagi…Self and Accessory in Gambian Studio Photography (2000)Self and Accessory in Gambian…In/Sight: African Photographers, 1940 to the Present (1997)In/Sight: African Photographe…The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity…Clues, Myths, and the Historical Method (1989)Clues, Myths, and the Histori…The Burden of Representation (1988)The Burden of RepresentationYoruba Photography: How the Yoruba See Themselves (1978)Yoruba Photography: How the Y…Imperial Eyes (1900)Imperial EyesPhoto History by Numbers: Charting the Rise and Fall of Commercial Photography in Cameroon (2019)Photo History by Numbers: Cha…A Space of One’s Own: Studio Photography and the Making of Black Urban Femininities in the 1950s East Rand (2014)A Space of One’s Own: Studio …The Dialogic Imagination: Four Essays (1981)We have never been modern (1994)Modernity at Large: Cultural Dimensions of Globalization. (1998)Cosmopolitan Visions: Ethnic Chinese and the Photographic Imagining of Indonesia in the Late Colonial and Early Postcolonial Periods (2008)Photography and Photo-Elicitation after Colonialism (2014)Pictures and Politics: Using Co-Creative Portraits to explore the social dynamics of the eastern Democratic Republic of the Congo (2016)How I See the Yoruba See Themselves (1978)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)States at Work (2014)African expatriates and race in the anthropology of humanitarianism (2016)Administrative Traditions (2021)Notes from the Surface of the Image (2003)Mediating the family imaginary: young people negotiating absence in transnational refugee families (2016)Methodological Nationalism, the Social Sciences, and the Study of Migration: An Essay in Historical Epistemology (2003)Editorial: Mobilities, Immobilities and Moorings (2006)The New Mobilities Paradigm (2006)The Reorganization of the Sensory World (2010)Objects of Affect: Photography Beyond the Image (2012)A New History of Colonial Lawyering: Likhovski and Legal Identities in the British Empire (2007)Photographic Uncertainties: Between Evidence and Reassurance (2014)Visibility matters (2015)The Image of Objectivity (1992)Mirrors of Masculinity: Representation and Identity in Advertising Images (2004)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)Diasporas (1994)Law, Property, and the Geography of Violence: The Frontier, the Survey, and the Grid (2003)The Capitalocene, Part I: on the nature and origins of our ecological crisis (2017)Colonial archives and the arts of governance (2002)Getting it right (2004)Myths of the Archaic State (2005)
this work references cited by second hop

References

  • 1994The Black Atlantic: Modernity and Double Consciousness7,512 cited
  • 1900Imperial Eyes4,588 cited
  • 1988The Burden of Representation1,232 cited
  • 1989Clues, Myths, and the Historical Method602 cited
  • 2003Photography’s Other Histories365 cited
  • 2007Intermediaries, Interpreters, and Clerks: African Employees in the Making of Colonial Africa309 cited
  • 1997In/Sight: African Photographers, 1940 to the Present161 cited
  • 2002Colonialist Photography Imaging Race and Place155 cited
  • 1978Yoruba Photography: How the Yoruba See Themselves129 cited
  • 2000Self and Accessory in Gambian Studio Photography112 cited
  • 2007Snap Judgments: New Positions in Contemporary African Photography68 cited
  • 2010The Topography of the Early History of African Photography32 cited
  • 2010Film, Charcoal, Time: Contemporaneities in Gold Coast Photographs29 cited

Cited by

  • 2019Photo History by Numbers: Charting the Rise and Fall of Commercial Photography in Cameroon5 cited
  • 2014A Space of One’s Own: Studio Photography and the Making of Black Urban Femininities in the 1950s East Rand3 cited

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